Posts Tagged: Richard Allen
Mark Lyken | Emma Dove ~ Mirror Lands
We last encountered Mark Lyken and Emma Dove a year ago with their installation-based EP and video The Terrestrial Sea. Their new work expands on the work of that prior release and continues an investigation of the sonic and visual properties of Scotland’s
Mark Lyken | Emma Dove ~ Mirror Lands
We last encountered Mark Lyken and Emma Dove a year ago with their installation-based EP and video The Terrestrial Sea. Their new work expands on the work of that prior release and continues an investigation of the sonic and visual properties of Scotland’s
Reliq ~ Metatropics
Reliq is Serph; or is Serph Reliq? The dual-monikered artist has been steadily amassing a healthy discography, and this generous new set (14 tracks, 68 minutes, plus a bonus disc when ordering from Noble) offers a healthy amount of hard beats
Reliq ~ Metatropics
Reliq is Serph; or is Serph Reliq? The dual-monikered artist has been steadily amassing a healthy discography, and this generous new set (14 tracks, 68 minutes, plus a bonus disc when ordering from Noble) offers a healthy amount of hard beats
B/B/S ~ Coltre/Manto
The super-trio of Aidan Baker, Andrea Belfi and Erik Skodvin has returned with a vengeance, taking time from solo and group projects to jam together once more. And what a beautiful racket it is. Recorded in a church but mastered in
B/B/S ~ Coltre/Manto
The super-trio of Aidan Baker, Andrea Belfi and Erik Skodvin has returned with a vengeance, taking time from solo and group projects to jam together once more. And what a beautiful racket it is. Recorded in a church but mastered in
The Gilder ~ Mechanical Sea
How best to combine electronic dance with modern composition? In this reviewer’s opinion, the answer is to include real instruments, as are found here, where violin, viola and cello join electric and acoustic guitar and bass. In the hands of
The Gilder ~ Mechanical Sea
How best to combine electronic dance with modern composition? In this reviewer’s opinion, the answer is to include real instruments, as are found here, where violin, viola and cello join electric and acoustic guitar and bass. In the hands of
Kingsley Ash ~ The Lekking Grounds
The Lekking Grounds, a single 15 minute track, is the culmination of a 2013 North Yorkshire residency. Last spring, Kingsley Ash spent a week recording, led two field recording workshops in local schools, blended the results and performed this piece live. We
Kingsley Ash ~ The Lekking Grounds
The Lekking Grounds, a single 15 minute track, is the culmination of a 2013 North Yorkshire residency. Last spring, Kingsley Ash spent a week recording, led two field recording workshops in local schools, blended the results and performed this piece live. We
Rodman Melchior Melchior Rodman
The tape begins with a lonely violin, melancholic in nature. Letha and Dan are married, and Letha is battling Stage IV melanoma and breast cancer. This elegiac work testifies to art as a statement of life. Letha’s side is stunning, a
Rodman Melchior Melchior Rodman
The tape begins with a lonely violin, melancholic in nature. Letha and Dan are married, and Letha is battling Stage IV melanoma and breast cancer. This elegiac work testifies to art as a statement of life. Letha’s side is stunning, a
Dumbsaint ~ Disappearance in a Minor Role – Part III: Celeste
Let’s address the odd fact first: Part III is actually part one of a short film trilogy and soundtrack, deliberately presented out of order. These interlocking pieces are meant to create a sense of mystery, with secrets to be revealed in
Dumbsaint ~ Disappearance in a Minor Role – Part III: Celeste
Let’s address the odd fact first: Part III is actually part one of a short film trilogy and soundtrack, deliberately presented out of order. These interlocking pieces are meant to create a sense of mystery, with secrets to be revealed in
Nick Gill ~ On neni jako on
One hour, four chords, numerous permutations: the idea shouldn’t work, but it does. The score to a Czech production by a German writer, On neni jako on reflects the nature of the play like a cracked mirror. Multiple disciplines join at this
Nick Gill ~ On neni jako on
One hour, four chords, numerous permutations: the idea shouldn’t work, but it does. The score to a Czech production by a German writer, On neni jako on reflects the nature of the play like a cracked mirror. Multiple disciplines join at this
