Posts Tagged: Richard Allen

The Dwindlers ~ Allegories

One’s appreciation of spoken word relies on three variables: 1) Do you like the genre?  2) Do you like the voice?  3) Do you like the words?  In terms of Allegories, if the answer to these questions is yes, then

The Dwindlers ~ Allegories

One’s appreciation of spoken word relies on three variables: 1) Do you like the genre?  2) Do you like the voice?  3) Do you like the words?  In terms of Allegories, if the answer to these questions is yes, then

Ólafur Arnalds ~ Another Happy Day OST

Ólafur Arnalds‘ score to Another Happy Day features the welcome return of an element missing since the ending of Eulogy for Evolution: grit.  It’s there at the end of the opener, resurfaces two tracks later, and permeates the closer, “Everything Must Change”. Sure, one

Ólafur Arnalds ~ Another Happy Day OST

Ólafur Arnalds‘ score to Another Happy Day features the welcome return of an element missing since the ending of Eulogy for Evolution: grit.  It’s there at the end of the opener, resurfaces two tracks later, and permeates the closer, “Everything Must Change”. Sure, one

Last Harbour ~ Your heart, it carries the sound

Two albums released as one, or one album released as two?  Last Harbour‘s bold experiment is a fascinating exercise in double vision.  The songs on the primary disc (Your heart, it carries the sound) are reconstructed by a host of

Last Harbour ~ Your heart, it carries the sound

Two albums released as one, or one album released as two?  Last Harbour‘s bold experiment is a fascinating exercise in double vision.  The songs on the primary disc (Your heart, it carries the sound) are reconstructed by a host of

Fescal ~ Alchemical Wanderings

Alchemical Wanderings arrives in a mysteriously shaded bag and is accompanied by a tube of miscellaneous metals, befitting its title.  Gold flecks have been mixed in, perhaps some pyrite and copper.  Warning to children:  Do Not Eat. This mysterious air extends

Fescal ~ Alchemical Wanderings

Alchemical Wanderings arrives in a mysteriously shaded bag and is accompanied by a tube of miscellaneous metals, befitting its title.  Gold flecks have been mixed in, perhaps some pyrite and copper.  Warning to children:  Do Not Eat. This mysterious air extends

Anoice ~ The Black Rain

Yoko Shinto’s cover illustration is incredibly beguiling: simultaneously dark and light, mysterious and accessible, a treasure trove of associations.  We see a weeping woman on a cliff, her tears mingling with the rain and the flood.  The broken land in

Anoice ~ The Black Rain

Yoko Shinto’s cover illustration is incredibly beguiling: simultaneously dark and light, mysterious and accessible, a treasure trove of associations.  We see a weeping woman on a cliff, her tears mingling with the rain and the flood.  The broken land in

A Death Cinematic ~ The New World

The New World begins with a clarion squall: a guitar that sounds like a trumpet, signaling the end of the old.  The sound brings to mind the walls of Jericho and the angel of Revelation.  After the clarion repeats and subsides,

A Death Cinematic ~ The New World

The New World begins with a clarion squall: a guitar that sounds like a trumpet, signaling the end of the old.  The sound brings to mind the walls of Jericho and the angel of Revelation.  After the clarion repeats and subsides,

Spheruleus ~ Dissolve

Many recordings are born of inspiration, but Dissolve was born of a lack of inspiration, which is not to say that it isn’t inspired.  This two-track outing from Harry Towell (Spheruleus) was birthed as severe writer’s block led him to imagine a richer physical environment

Spheruleus ~ Dissolve

Many recordings are born of inspiration, but Dissolve was born of a lack of inspiration, which is not to say that it isn’t inspired.  This two-track outing from Harry Towell (Spheruleus) was birthed as severe writer’s block led him to imagine a richer physical environment

Pascal Savy ~ Receding

When is a piano EP not a piano EP?  When the piano is recorded, then partially removed, leaving an “empty shell” where the notes one shuddered.  The recording operates as a sonic illusion, as the notes heard are not fully there.

Pascal Savy ~ Receding

When is a piano EP not a piano EP?  When the piano is recorded, then partially removed, leaving an “empty shell” where the notes one shuddered.  The recording operates as a sonic illusion, as the notes heard are not fully there.