Posts Tagged: sound art
SP* Episode 3: ROBOT, TEACH US TO GROOVE – with Efraín Rozas [podcast]
This one goes places. (Headphone-listening recommended) While in New York, I was lucky enough to witness the psychedelic salsa group La Mecánica Popular break it down at Nublu in Alphabet City, on a terribly rainy day that was warmed up
SP* Episode 3: ROBOT, TEACH US TO GROOVE – with Efraín Rozas [podcast]
This one goes places. (Headphone-listening recommended) While in New York, I was lucky enough to witness the psychedelic salsa group La Mecánica Popular break it down at Nublu in Alphabet City, on a terribly rainy day that was warmed up
On the Return of Senufo Editions (Giuseppe Ielasi, Alessandro Brivio, Takamitsu Ohta)
Giuseppe Ielasi has been one my favorite artists for a decade now, his reputation cemented in my mind by the blissful textures of August (2007) and the rhythmic sampledelica of Aix (2009), both for 12k. His Stunt series (2008-2013) further
On the Return of Senufo Editions (Giuseppe Ielasi, Alessandro Brivio, Takamitsu Ohta)
Giuseppe Ielasi has been one my favorite artists for a decade now, his reputation cemented in my mind by the blissful textures of August (2007) and the rhythmic sampledelica of Aix (2009), both for 12k. His Stunt series (2008-2013) further
Giovanni Lami ~ Bias
It’s like a garden, where everything grows by itself and you need to make just a few things, to see what is going to happen most of the time. -Giovanni Lami Does a physical medium simply contain (or mediate) a
Giovanni Lami ~ Bias
It’s like a garden, where everything grows by itself and you need to make just a few things, to see what is going to happen most of the time. -Giovanni Lami Does a physical medium simply contain (or mediate) a
Sound Propositions 09: Kate Carr
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
Sound Propositions 09: Kate Carr
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
RADIOFONICA – Nov. 6/7/8/9 (free exhibition and live streaming)
How quickly we forget. How quickly we are to believe our present moment is new, different, incommensurable with the past. This is especially true in our fetishization of new technologies, as even a cursory glance at the recent literature
RADIOFONICA – Nov. 6/7/8/9 (free exhibition and live streaming)
How quickly we forget. How quickly we are to believe our present moment is new, different, incommensurable with the past. This is especially true in our fetishization of new technologies, as even a cursory glance at the recent literature
LCNL 053: A Machine In The Garden [mix]
“Our inherited symbols of order and beauty have been divested of meaning.” Leo Marx And now for something a little bit different: an edited soundwalk consisting of field-recordings made during the Sonic Delights festival at Caramoor in Katonah, NY. Richard
LCNL 053: A Machine In The Garden [mix]
“Our inherited symbols of order and beauty have been divested of meaning.” Leo Marx And now for something a little bit different: an edited soundwalk consisting of field-recordings made during the Sonic Delights festival at Caramoor in Katonah, NY. Richard
CFP: Sound Art Curating Conference
We’d like to draw your attention to the following Call For Papers. Go here for the full information. Histories, Theories and Practices of Sound Art Call for Papers Histories, Theories and Practices of Sound Art May 15 – 16 –
CFP: Sound Art Curating Conference
We’d like to draw your attention to the following Call For Papers. Go here for the full information. Histories, Theories and Practices of Sound Art Call for Papers Histories, Theories and Practices of Sound Art May 15 – 16 –
Call for Contributions – eContact! 16.4 — Experimental Practices and Subversion in Sound
A Call for Contributions that may appeal to many of our readers. If you don’t have something to submit, I’d recommend checking out the eContract! archive anyway. (JS) The Canadian Electroacoustic Community’s (CEC) electronic journal eContact! is now accepting submissions
Call for Contributions – eContact! 16.4 — Experimental Practices and Subversion in Sound
A Call for Contributions that may appeal to many of our readers. If you don’t have something to submit, I’d recommend checking out the eContract! archive anyway. (JS) The Canadian Electroacoustic Community’s (CEC) electronic journal eContact! is now accepting submissions
a closer listen 