Posts Tagged: Sound Propositions
ACL 2017: Sound Propositions
I say this every year: I hate lists, but I love reflection. So here we are again, the first month of the year nearly over and I’m still processing all that’s come in the last year. And while there were
ACL 2017: Sound Propositions
I say this every year: I hate lists, but I love reflection. So here we are again, the first month of the year nearly over and I’m still processing all that’s come in the last year. And while there were
On the Return of Senufo Editions (Giuseppe Ielasi, Alessandro Brivio, Takamitsu Ohta)
Giuseppe Ielasi has been one my favorite artists for a decade now, his reputation cemented in my mind by the blissful textures of August (2007) and the rhythmic sampledelica of Aix (2009), both for 12k. His Stunt series (2008-2013) further
On the Return of Senufo Editions (Giuseppe Ielasi, Alessandro Brivio, Takamitsu Ohta)
Giuseppe Ielasi has been one my favorite artists for a decade now, his reputation cemented in my mind by the blissful textures of August (2007) and the rhythmic sampledelica of Aix (2009), both for 12k. His Stunt series (2008-2013) further
Sound Propositions 013: Gregory Euclide (THESIS Project)
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. For the first time, the
Sound Propositions 013: Gregory Euclide (THESIS Project)
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. For the first time, the
Sound Propositions 012: Marcus Fischer
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing
Sound Propositions 012: Marcus Fischer
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing
Sound Propositions 011: Taylor Deupree
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
Sound Propositions 011: Taylor Deupree
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
ACL 2016: Sound Propositions
2016, eh…? I say this every year, but I find it increasingly difficult to put these kinds of year-end retrospectives together. The December rush often means a lot of records get left behind, some newer records get overvalued while those
ACL 2016: Sound Propositions
2016, eh…? I say this every year, but I find it increasingly difficult to put these kinds of year-end retrospectives together. The December rush often means a lot of records get left behind, some newer records get overvalued while those
Sound Propositions 010: Christina Vantzou
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
Sound Propositions 010: Christina Vantzou
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
Sound Propositions 09: Kate Carr
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
Sound Propositions 09: Kate Carr
Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy
a closer listen 