Richard Garet ~ Decentering

When most artists think of “damaged, demagnetized, decayed or scratched” tapes, they think of a cassette consigned to the garbage heap.  When Uruguay’s Richard Garet encounters the same product, he thinks of art, and if the tape seems too intact, he’s just as likely to bake or wash it as he is to play it.  By digitizing the results, he’s produced the lovely long-form Decentering, a single piece that bleeps, hiccups, shuffles and slides its way to a satisfying conclusion.  Rising frequencies and looped pops – the equivalent of locked grooves – create wind tunnels of sound, making the project seem at times like the oddest of field recordings: a computer abandoned in the woods as its power source drains down.  Midway through the piece, we begin to hear orphaned notes and voices, removed from their original context.  Thankfully, Garet loved them enough to adopt them.  It would have been a shame to have tossed these sounds aside like so much cracked plastic and tangled tape.  (Richard Allen)

Available here or here

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: