Nowhere Sessions was recorded in a secluded family cabin deep in the heart of Iceland, far from the bustle and roar. According to Snorri Hallgrímsson, the old cabin is “not only a retreat but a place of memory and continuity.” The album is as much about meaningful solitude as it is about solidarity, although the two are often complementary.
The lead single “I Am Weary, Don’t Let Me Rest” is indicative of the album’s intimacy. The video begins with an image of the composer’s hand poised above the piano before the camera expands to reveal a home filled with musicians, exuding an incredible warmth. The strings ease in like clouds covering the horizon. Soon there is a second pair of hands at the ivories, a statement of companionship even in the midst of perceived solitude. The trumpeter enters gingerly, with the least possible fanfare and the greatest emotional impact; then a swell of violins. The line switches to solo violin, softly fading into the final piano notes. The middle of “nowhere” feels like the only place that is important.
“The Stars Will Dim” is a solo piece, whose first frame is nearly identical, but whose visuals expand across the countryside, revealing a series of peaceful vistas. The title may be an homage to Jóhann Jóhannsson’s “The Sun’s Gone Dim and the Sky’s Turned Black” on its 20th anniversary. Generous space is allowed between the notes, allowing for an appreciation of decay. There is tenderness in the composer’s hands and reflection in his gaze.
The album includes more of each: solo pieces and quiet ensemble works. Many of these – like opener “Vorar” – begin quietly before blooming, then fall back into near-silence. The album is patient and precise, exuding a sense of stillness even in its most active moments. The fact that the other musicians are not just accompanists, but friends adds to the feeling of safety. The irony, of course, is that others were brought into the secluded place, making it feel even more like home. Even when “And I Alone” surfaces, it is followed by “I Know You’ll Follow,” the only piece to feature the composer’s delicate, yet confident voice.
Although not every track has a video as of yet, the combination of music and film recalls Ólafur Arnalds’ Island Songs. These projects share a love for landscape, friendship, and introspection. While listening, one may close one’s eyes and imagine being away from the crowds, away from clocks and calendars, surrounded by beauty and by beautiful friends, making beautiful music. (Richard Allen)
a closer listen 