Author Archives: postrockcafe

Adrian Corker ~ The Have-Nots OST

Are soundtracks getting better, or are we just enjoying them more?  It’s hard to tell.  Either way, 2016 has been an especially good year for creative scores, the latest example being Adrian Corker‘s The Have-Nots.  Our measuring stick is simple: to

Adrian Corker ~ The Have-Nots OST

Are soundtracks getting better, or are we just enjoying them more?  It’s hard to tell.  Either way, 2016 has been an especially good year for creative scores, the latest example being Adrian Corker‘s The Have-Nots.  Our measuring stick is simple: to

Happy Place ~ Northfield

With two drummers and two guitarists, Will Mason has found his Happy Place.  Not only is Northfield happy ~ it’s loud and boisterous, as the quartet buys into its name.  Some may interpret it as an improvisational racket, but this music is

Happy Place ~ Northfield

With two drummers and two guitarists, Will Mason has found his Happy Place.  Not only is Northfield happy ~ it’s loud and boisterous, as the quartet buys into its name.  Some may interpret it as an improvisational racket, but this music is

Banabila & Machinefabriek ~ Macrocosms

To date we have heard four full-length collaborations between Michel Banabila and Machinefabriek, each one different in tone.  This one, while intricate and multi-faceted, is their most accessible to date. It all starts with a concept: the micro and the macro.

Banabila & Machinefabriek ~ Macrocosms

To date we have heard four full-length collaborations between Michel Banabila and Machinefabriek, each one different in tone.  This one, while intricate and multi-faceted, is their most accessible to date. It all starts with a concept: the micro and the macro.

New Label: Dinzu Artefacts

It’s always a pleasure to welcome a new label to the fold, and the latest to make the cut is cassette imprint Dinzu Artefacts, curated by Joe McKay of Spring Break Tapes.  The first five tapes explore the world of experimental

New Label: Dinzu Artefacts

It’s always a pleasure to welcome a new label to the fold, and the latest to make the cut is cassette imprint Dinzu Artefacts, curated by Joe McKay of Spring Break Tapes.  The first five tapes explore the world of experimental

William Ryan Fritch ~ Ill Tides

The second entry in Lost Tribe Sounds’ new Dead West Series comes from the label’s most well-known artist.  Ill Tides is a return to the purely instrumental for William Ryan Fritch, and we couldn’t be happier.  Fritch is one of a small

William Ryan Fritch ~ Ill Tides

The second entry in Lost Tribe Sounds’ new Dead West Series comes from the label’s most well-known artist.  Ill Tides is a return to the purely instrumental for William Ryan Fritch, and we couldn’t be happier.  Fritch is one of a small

ACL Interview: Katie Gately

Katie Gately‘s Color is set for release this Friday, and is one of the year’s most original ventures.  In anticipation of the release, we’ve posed a number of questions for the artist, whose gracious answers provide a window into the creative process. When

ACL Interview: Katie Gately

Katie Gately‘s Color is set for release this Friday, and is one of the year’s most original ventures.  In anticipation of the release, we’ve posed a number of questions for the artist, whose gracious answers provide a window into the creative process. When

Seabuckthorn ~ I Could See the Smoke

Lost Tribe Sound has relocated from Arizona to Wisconsin (farewell iced tea, hello cheese!), and to celebrate, the label has launched the Dead West Tape Series.  While those familiar with geography will note that Wisconsin is a northern state, the

Seabuckthorn ~ I Could See the Smoke

Lost Tribe Sound has relocated from Arizona to Wisconsin (farewell iced tea, hello cheese!), and to celebrate, the label has launched the Dead West Tape Series.  While those familiar with geography will note that Wisconsin is a northern state, the

Katie Gately ~ Color

Color is a glorious explosion of dance beats, percussive samples, and vocal layers, close to overload, threatening to topple like a Jenga tower.  And yet, by her meticulous control and sheer force of will, Katie Gately holds it all together.  One of the

Katie Gately ~ Color

Color is a glorious explosion of dance beats, percussive samples, and vocal layers, close to overload, threatening to topple like a Jenga tower.  And yet, by her meticulous control and sheer force of will, Katie Gately holds it all together.  One of the