Category Archives: Electronic
Byron Westbrook ~ Body Consonance
Hands in the Dark calls Byron Westbrook‘s new album “far from ambient”, and we agree; this active music, its notes like agitated atoms. Leah Beeferman’s cover art is a perfect representation: both form and flow, seemingly random yet carefully planned, smudged
Byron Westbrook ~ Body Consonance
Hands in the Dark calls Byron Westbrook‘s new album “far from ambient”, and we agree; this active music, its notes like agitated atoms. Leah Beeferman’s cover art is a perfect representation: both form and flow, seemingly random yet carefully planned, smudged
Ziúr ~ U Feel Anything?
Is it too early to declare that 2017 has been a great year for women in electronic music? Berlin’s Ziúr is only the latest to release a stunning debut album. The beauty of what we’ve been hearing is that each of
Ziúr ~ U Feel Anything?
Is it too early to declare that 2017 has been a great year for women in electronic music? Berlin’s Ziúr is only the latest to release a stunning debut album. The beauty of what we’ve been hearing is that each of
DISPLAY: The TED Talks of Music Labels
TED talks are typically 6-18 minutes long. The DISPLAY label (a sub-label of Kid Smpl’s Symbols label) holds a similar love for brevity, although it may come across as the opposite. By asking artists to submit single works, 10-15 minutes
DISPLAY: The TED Talks of Music Labels
TED talks are typically 6-18 minutes long. The DISPLAY label (a sub-label of Kid Smpl’s Symbols label) holds a similar love for brevity, although it may come across as the opposite. By asking artists to submit single works, 10-15 minutes
AnD ~ Social Decay
A triple 12″? Yes, that’s the way to go on this album. The wider grooves allow for deeper bass, while the hum and crunch have room to expand. Social Decay is part of a new resurgence for industrial music, following recent
AnD ~ Social Decay
A triple 12″? Yes, that’s the way to go on this album. The wider grooves allow for deeper bass, while the hum and crunch have room to expand. Social Decay is part of a new resurgence for industrial music, following recent
Indian Wells ~ Where the World Ends
Pietro Iannuzzi (Indian Wells) released two lovely albums before this, but with his latest he breaks from typecasting. Until now, he was known as the Italian producer with a penchant for tennis samples and for titles like “Racquets”, “Wimbledon” and
Indian Wells ~ Where the World Ends
Pietro Iannuzzi (Indian Wells) released two lovely albums before this, but with his latest he breaks from typecasting. Until now, he was known as the Italian producer with a penchant for tennis samples and for titles like “Racquets”, “Wimbledon” and
Fall Music Preview: Electronic
To dance is to forget one’s problems and to underline the vibrant nature of life. Our Electronic Preview points in the direction of the club, but even if one can’t get out there in public, there’s always the living room,
Fall Music Preview: Electronic
To dance is to forget one’s problems and to underline the vibrant nature of life. Our Electronic Preview points in the direction of the club, but even if one can’t get out there in public, there’s always the living room,
Radiophonic Workshop ~ Burials In Several Earths
An electronic outfit of great influence who keep appearing on new artists’ lists of influences, but haven’t released any new music for years, and have experienced multiple line-up changes? No, it’s not Kraftwerk (for once) but the Radiophonic Workshop –
Radiophonic Workshop ~ Burials In Several Earths
An electronic outfit of great influence who keep appearing on new artists’ lists of influences, but haven’t released any new music for years, and have experienced multiple line-up changes? No, it’s not Kraftwerk (for once) but the Radiophonic Workshop –
Twink ~ Wild Eyed Wild Ride
How happy do you want your music to sound? It’s an odd question, addressed in an odd way by toytronica artist Twink. Do you prefer your music to be a little bit cheerful, with an undercurrent of bittersweet nostalgia? Or do
Twink ~ Wild Eyed Wild Ride
How happy do you want your music to sound? It’s an odd question, addressed in an odd way by toytronica artist Twink. Do you prefer your music to be a little bit cheerful, with an undercurrent of bittersweet nostalgia? Or do
a closer listen 