Category Archives: Featured Articles

*Press A* ~ The Rhythm of Violence in the Hotline Miami Soundtrack

Hotline Miami (2012) is an utterly violent game enamored with the question of agency as well as gaming’s long-standing depictions of different kinds of aggression, and it has one of the most powerful soundtracks in the medium’s recent history. Not only

*Press A* ~ The Rhythm of Violence in the Hotline Miami Soundtrack

Hotline Miami (2012) is an utterly violent game enamored with the question of agency as well as gaming’s long-standing depictions of different kinds of aggression, and it has one of the most powerful soundtracks in the medium’s recent history. Not only

ACL 2018 ~ Music for Haunted Houses

In 2018, the world reached a tipping point in which scary music is no longer scarier than real life.  The old monsters are disappointed; they just can’t compete with the news.  This being said, it’s one of our favorite times

ACL 2018 ~ Music for Haunted Houses

In 2018, the world reached a tipping point in which scary music is no longer scarier than real life.  The old monsters are disappointed; they just can’t compete with the news.  This being said, it’s one of our favorite times

Tim Shiel ~ Glowing Pains: Music from The Gardens Between / Interview

There’s a tension to reconcile when crafting a videogame soundtrack that plays on the mind of Tim Shiel. ‘Normal’ music has a defined path – a start, middle and end – but videogame music is very much nonlinear, dictated or

Tim Shiel ~ Glowing Pains: Music from The Gardens Between / Interview

There’s a tension to reconcile when crafting a videogame soundtrack that plays on the mind of Tim Shiel. ‘Normal’ music has a defined path – a start, middle and end – but videogame music is very much nonlinear, dictated or

Shida Shahabi presents Early Autumn [mix]

Shida Shahabi is a pianist and composer on the 130701 imprint, like the author of our last mix, Dmitry Evgrafov.  Early Autumn is timed to coincide with the release of Homes, Shahabi’s debut album. Mainly featuring an old Swedish upright

Shida Shahabi presents Early Autumn [mix]

Shida Shahabi is a pianist and composer on the 130701 imprint, like the author of our last mix, Dmitry Evgrafov.  Early Autumn is timed to coincide with the release of Homes, Shahabi’s debut album. Mainly featuring an old Swedish upright

Organ Reframed 2018

  Pure cinema, pure sound   Organ Reframed is now in its third year. Held at London’s magnificent Union Chapel, the festival is a highlight of the Autumn calendar. When October rolls around, bringing with it a lovely spell of

Organ Reframed 2018

  Pure cinema, pure sound   Organ Reframed is now in its third year. Held at London’s magnificent Union Chapel, the festival is a highlight of the Autumn calendar. When October rolls around, bringing with it a lovely spell of

Dmitry Evgrafov presents “The Comforting One” [mix]

And we’re back with a mix from Dmitry Evgrafov, a self-taught pianist, composer, and multi-instrumentalist. Based in Moscow, where Evgrafov studied Sound Design, his work deploys electronic means to augment his intimate piano playing  with lush string arrangements, drawing comparisons

Dmitry Evgrafov presents “The Comforting One” [mix]

And we’re back with a mix from Dmitry Evgrafov, a self-taught pianist, composer, and multi-instrumentalist. Based in Moscow, where Evgrafov studied Sound Design, his work deploys electronic means to augment his intimate piano playing  with lush string arrangements, drawing comparisons

Sound Propositions 015: Lawrence English

Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy

Sound Propositions 015: Lawrence English

Sound Propositions is an ongoing, semi-regular series of conversations with artists exploring their creative practices and individual aesthetics, conceived of as a counter-narrative to a dominant trend in music journalism which fetishizes equipment and new technologies. Rather than writing copy

LCNL 0100: 36 presents ACL100 mix!

When I first decided to launch a mix series, back in 2011 just before Richard, Jeremy, and I decided to leave TSB to found ACL, there certainly was no shortage of options.  And while it is certainly true that the

LCNL 0100: 36 presents ACL100 mix!

When I first decided to launch a mix series, back in 2011 just before Richard, Jeremy, and I decided to leave TSB to found ACL, there certainly was no shortage of options.  And while it is certainly true that the