Category Archives: Field Recording & Soundscape
Jérémie Mathes ~ Fallow Memory
As children, we are wont to wander. Abandoned buildings, fallow fields, cracked drainpipes and secluded forests possess a secret allure. We look and listen closely; we invent stories in our minds to explain the sudden boom, the constant crackle, the
Jérémie Mathes ~ Fallow Memory
As children, we are wont to wander. Abandoned buildings, fallow fields, cracked drainpipes and secluded forests possess a secret allure. We look and listen closely; we invent stories in our minds to explain the sudden boom, the constant crackle, the
toy bizarre ~ kdi dctb 180
A stellar year continues for Cedric Peyronnet (toy bizarre) on our site, as he continues to score reviews through careful attention to detail and drama. kdi dctb 180 is yet another in a run of compelling sound works, this one available on
toy bizarre ~ kdi dctb 180
A stellar year continues for Cedric Peyronnet (toy bizarre) on our site, as he continues to score reviews through careful attention to detail and drama. kdi dctb 180 is yet another in a run of compelling sound works, this one available on
Rodolphe Alexis ~ The glittering thing on the mountain
After reviewing Gruenrekorder’s oppressive yet vastly alluring Landscapes of Fear, it’s a pleasure to receive its polar opposite. Rodolphe Alexis’ The glittering thing on the mountain is a soothing reminder of the world’s unsullied places, where rivers flow, birds sing, and sunlight glimmers in
Rodolphe Alexis ~ The glittering thing on the mountain
After reviewing Gruenrekorder’s oppressive yet vastly alluring Landscapes of Fear, it’s a pleasure to receive its polar opposite. Rodolphe Alexis’ The glittering thing on the mountain is a soothing reminder of the world’s unsullied places, where rivers flow, birds sing, and sunlight glimmers in
V/A ~ Landscapes of Fear
Gruenrekorder’s new double-disc Landscapes of Fear, conceived and produced by Dirk Specht and Sebastian Thewes, explores the role of sound art as psychological reflection and social commentary. The liner notes are as contemporary as the evening news, referencing the European border crisis and military
V/A ~ Landscapes of Fear
Gruenrekorder’s new double-disc Landscapes of Fear, conceived and produced by Dirk Specht and Sebastian Thewes, explores the role of sound art as psychological reflection and social commentary. The liner notes are as contemporary as the evening news, referencing the European border crisis and military
Kate Carr ~ I had myself a nuclear spring
No stranger to creative formatting, sound artist Kate Carr has just released her latest work on a USB flash drive, housed in an aluminum tin. While it may suggest smuggled secrets from Spectre, these recorded sounds are meant to be shared. On the
Kate Carr ~ I had myself a nuclear spring
No stranger to creative formatting, sound artist Kate Carr has just released her latest work on a USB flash drive, housed in an aluminum tin. While it may suggest smuggled secrets from Spectre, these recorded sounds are meant to be shared. On the
FrostbYte ~ One Dog Night
Field recording artist Daniel Blinkhorn (Terra Subfónica) returns as FrostbYte to present a crisp soundscape of Arctic recordings. His four pieces evoke thoughts of a cold winter, surrounded by ice and snow, and warmed by the company of a dog ~ but
FrostbYte ~ One Dog Night
Field recording artist Daniel Blinkhorn (Terra Subfónica) returns as FrostbYte to present a crisp soundscape of Arctic recordings. His four pieces evoke thoughts of a cold winter, surrounded by ice and snow, and warmed by the company of a dog ~ but
Emmanuel Mieville ~ Ethers
Emanuel Mieville can be described alternately as a field recording artist who creates drones and a drone artist who uses field recordings. On Ethers, he attempts “to lower drone music from the skies”, and succeeds; their earthbound nature is clear. This makes
Emmanuel Mieville ~ Ethers
Emanuel Mieville can be described alternately as a field recording artist who creates drones and a drone artist who uses field recordings. On Ethers, he attempts “to lower drone music from the skies”, and succeeds; their earthbound nature is clear. This makes
The Return of Impulsive Habitat
After a six-month hiatus, the field recording label Impulsive Habitat has returned with five releases that speak to the season and serve as a restorative to the soul. The label is run by David Vélez, Juan Calarco and Pedro Leitâo, and
The Return of Impulsive Habitat
After a six-month hiatus, the field recording label Impulsive Habitat has returned with five releases that speak to the season and serve as a restorative to the soul. The label is run by David Vélez, Juan Calarco and Pedro Leitâo, and
a closer listen 