Errorgrid ~ Gridworks 1: Tension/Release
L.A.’s Errorgrid label has been on a tear this year, already releasing two albums, a remix EP and now a label compilation. The instrumental side of industrial / IDM has been underserved in recent years, shoved aside by its more obvious cousin
Errorgrid ~ Gridworks 1: Tension/Release
L.A.’s Errorgrid label has been on a tear this year, already releasing two albums, a remix EP and now a label compilation. The instrumental side of industrial / IDM has been underserved in recent years, shoved aside by its more obvious cousin
Philippe Requena presents ‘Paysages, encore’ [mix]
We have another special guest mix from Philippe Requena. We have previous featured two mixes from him, Venant le jour and Water Be My Road Now. As on those mixes, Requena moves in a post-genre sonic world, drawing unexpected connections
Philippe Requena presents ‘Paysages, encore’ [mix]
We have another special guest mix from Philippe Requena. We have previous featured two mixes from him, Venant le jour and Water Be My Road Now. As on those mixes, Requena moves in a post-genre sonic world, drawing unexpected connections
Mogwai ~ As the Love Continues
Exactly 25 years after the release of their first double-A single, Mogwai returns with their tenth album. In this industry, that’s quite an achievement. Even more impressive is the feeling that the Glasgow band may actually be getting better with age. At
Mogwai ~ As the Love Continues
Exactly 25 years after the release of their first double-A single, Mogwai returns with their tenth album. In this industry, that’s quite an achievement. Even more impressive is the feeling that the Glasgow band may actually be getting better with age. At
James Osland ~ Almond Drive
Almond Drive is dedicated to memories of a “safe and loving home,” and the people who made it that way. The album is a panacea, offering warm hints of how to make it through a pandemic year with love. Not everyone
James Osland ~ Almond Drive
Almond Drive is dedicated to memories of a “safe and loving home,” and the people who made it that way. The album is a panacea, offering warm hints of how to make it through a pandemic year with love. Not everyone
Camera ~ Prosthuman
Camera‘s propulsive Prosthuman is a krautrock explosion, bound to get the feet moving to the dance floors or whatever counts as a dance floor these days (bedroom floor, garage). This marks the beginning of the band’s second decade, including a lineup shift,
Camera ~ Prosthuman
Camera‘s propulsive Prosthuman is a krautrock explosion, bound to get the feet moving to the dance floors or whatever counts as a dance floor these days (bedroom floor, garage). This marks the beginning of the band’s second decade, including a lineup shift,
Drifts and Flurries ~ A Second Language Collectanea
Few pairings are as exquisite as winter music and snow; Drifts & Flurries provides one in hope of the other. Distinctly British in tone, this set begs to be accompanied by a good book; we recommend The Wrong Kind of Snow (Penn
Drifts and Flurries ~ A Second Language Collectanea
Few pairings are as exquisite as winter music and snow; Drifts & Flurries provides one in hope of the other. Distinctly British in tone, this set begs to be accompanied by a good book; we recommend The Wrong Kind of Snow (Penn
Aaron Cupples ~ Island of the Hungry Ghosts OST
Island of the Hungry Ghosts is a dark, three-tiered film. Billed as a “hybrid documentary,” the film receives a hybrid score, with music from Aaron Cupples and field recordings from Leo Dolgan. The sound design is cinematic even without the visuals, producing the mental
Aaron Cupples ~ Island of the Hungry Ghosts OST
Island of the Hungry Ghosts is a dark, three-tiered film. Billed as a “hybrid documentary,” the film receives a hybrid score, with music from Aaron Cupples and field recordings from Leo Dolgan. The sound design is cinematic even without the visuals, producing the mental
ACL 2020: Sound Propositions
Hindsight is 2020. This will be the great irony of the 21st century. Yet it seems like the revisionism is already setting in. There’s no normal to go back to, and we can’t pretend to go on just as we
ACL 2020: Sound Propositions
Hindsight is 2020. This will be the great irony of the 21st century. Yet it seems like the revisionism is already setting in. There’s no normal to go back to, and we can’t pretend to go on just as we
a closer listen 