Headboggle ~ Polyphonic Demo
The Polyphonic Demo joins a very special list of vignette albums that incisively approach the ‘industry’ of musicmaking, whether with an ironic cutting edge (The Residents, Jon Rose), or with a more earnest, almost naively inquisitive method (Yasuaki Shimizu). Headboggle
Headboggle ~ Polyphonic Demo
The Polyphonic Demo joins a very special list of vignette albums that incisively approach the ‘industry’ of musicmaking, whether with an ironic cutting edge (The Residents, Jon Rose), or with a more earnest, almost naively inquisitive method (Yasuaki Shimizu). Headboggle
They Danced Like Programmed Angels ~ Spit Light through the Canopy
They Danced Like Programmed Angels is the pseudonym of Jon Wolper, who, on Spit Light through the Canopy, plays a selection of instruments. Synthesizers, piano, and guitar are all featured, and he includes field recordings, too. Maria Grigoryeva (violin, viola)
They Danced Like Programmed Angels ~ Spit Light through the Canopy
They Danced Like Programmed Angels is the pseudonym of Jon Wolper, who, on Spit Light through the Canopy, plays a selection of instruments. Synthesizers, piano, and guitar are all featured, and he includes field recordings, too. Maria Grigoryeva (violin, viola)
Marcus Fjellström ~ Exercises in Estrangement / Gebrauchsmusik
Exercises in Estrangement and Gebrauchsmusik were Marcus Fjellström‘s first two albums, originally released on Lampse in 2005 and 2006. Listening to them now, in pristine new editions from Miasmah, it’s remarkable to consider how contemporary ~ even futuristic ~ they
Marcus Fjellström ~ Exercises in Estrangement / Gebrauchsmusik
Exercises in Estrangement and Gebrauchsmusik were Marcus Fjellström‘s first two albums, originally released on Lampse in 2005 and 2006. Listening to them now, in pristine new editions from Miasmah, it’s remarkable to consider how contemporary ~ even futuristic ~ they
Max de Wardener ~ Kolmar
The music of Max de Wardener is impossible to pin down, as he gallops between instruments and styles. This makes Kolmar an intriguing listen, with enough ideas for two releases; and it could be argued that it should be two, as the differences are so delineated.
Max de Wardener ~ Kolmar
The music of Max de Wardener is impossible to pin down, as he gallops between instruments and styles. This makes Kolmar an intriguing listen, with enough ideas for two releases; and it could be argued that it should be two, as the differences are so delineated.
SP* Episode 11: RURAL FUTURISM – with Beatrice Ferrara & Leandro Pisano [podcast]
The Liminaria festival ran for five editions between 2014 and 2018, culminating with a collateral event in Palermo as part of Manifesta 12 (the nomadic European biennial). Based in the rural territory of Fortore, the frontier between the three regions
SP* Episode 11: RURAL FUTURISM – with Beatrice Ferrara & Leandro Pisano [podcast]
The Liminaria festival ran for five editions between 2014 and 2018, culminating with a collateral event in Palermo as part of Manifesta 12 (the nomadic European biennial). Based in the rural territory of Fortore, the frontier between the three regions
Floating Spectrum ~ A Point Between
A Point Between is a perfect example of intermingling disciplines. Abe Pazos’ remarkable cover draws us in, creating intrigue before a single note is played. The music of Floating Spectrum (Mei-Fang Liau) sounds exactly like the art, or vice versa: swirling, generative, open
Floating Spectrum ~ A Point Between
A Point Between is a perfect example of intermingling disciplines. Abe Pazos’ remarkable cover draws us in, creating intrigue before a single note is played. The music of Floating Spectrum (Mei-Fang Liau) sounds exactly like the art, or vice versa: swirling, generative, open
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
Anoice ~ Ghost in the Clocks
If the cover looks familiar, it’s because you’ve almost seen it before. When we reviewed the third record of Anoice, The Black Rain, Rich opened in praise of its beguiling cover art. Artist Yoko Shinto has returned to portray the
W00dy ~ My Diary
Have you ever danced in your room with music you feel only you know how to move to? That’s the kind of ecstatic energy that My Diary exudes at every turn, its fast beats a kinetic celebration of self-knowledge, of
W00dy ~ My Diary
Have you ever danced in your room with music you feel only you know how to move to? That’s the kind of ecstatic energy that My Diary exudes at every turn, its fast beats a kinetic celebration of self-knowledge, of
a closer listen 