abo carcassi + demetrio cecchitelli present “Trasparenza” [mix]
To celebrate the release of their split EP 2:2, abo carcassi & halfcastle have assembled Trasparenza, a live mix documenting their shared musical interests and their broader community of friends. Daniele Carcassi (abo carcassi) is a composer, improviser and DJ
abo carcassi + demetrio cecchitelli present “Trasparenza” [mix]
To celebrate the release of their split EP 2:2, abo carcassi & halfcastle have assembled Trasparenza, a live mix documenting their shared musical interests and their broader community of friends. Daniele Carcassi (abo carcassi) is a composer, improviser and DJ
Carolina Eyck ~ Elegies for Theremin & Voice
By now we’re relatively used to seeing the theremin pop up here and there in different works, be them contemporary/modern classical, prog/kraut rock, EAI, or the genre known as Keiji Haino, but one thing that’s definitely been lacking is the
Carolina Eyck ~ Elegies for Theremin & Voice
By now we’re relatively used to seeing the theremin pop up here and there in different works, be them contemporary/modern classical, prog/kraut rock, EAI, or the genre known as Keiji Haino, but one thing that’s definitely been lacking is the
*Press A* ~ Wilmot’s Warehouse, Chicory EP, Kind Words
Eli Rainsberry ~ Wilmot’s Warehouse Wilmot’s Warehouse begins with a simple, chill electronic sequence that in the span of one minute transforms into a rapid, complex melody. It’s expertly layered, and is indicative of the sheer procedural creativity that informs
*Press A* ~ Wilmot’s Warehouse, Chicory EP, Kind Words
Eli Rainsberry ~ Wilmot’s Warehouse Wilmot’s Warehouse begins with a simple, chill electronic sequence that in the span of one minute transforms into a rapid, complex melody. It’s expertly layered, and is indicative of the sheer procedural creativity that informs
Headboggle ~ Polyphonic Demo
The Polyphonic Demo joins a very special list of vignette albums that incisively approach the ‘industry’ of musicmaking, whether with an ironic cutting edge (The Residents, Jon Rose), or with a more earnest, almost naively inquisitive method (Yasuaki Shimizu). Headboggle
Headboggle ~ Polyphonic Demo
The Polyphonic Demo joins a very special list of vignette albums that incisively approach the ‘industry’ of musicmaking, whether with an ironic cutting edge (The Residents, Jon Rose), or with a more earnest, almost naively inquisitive method (Yasuaki Shimizu). Headboggle
They Danced Like Programmed Angels ~ Spit Light through the Canopy
They Danced Like Programmed Angels is the pseudonym of Jon Wolper, who, on Spit Light through the Canopy, plays a selection of instruments. Synthesizers, piano, and guitar are all featured, and he includes field recordings, too. Maria Grigoryeva (violin, viola)
They Danced Like Programmed Angels ~ Spit Light through the Canopy
They Danced Like Programmed Angels is the pseudonym of Jon Wolper, who, on Spit Light through the Canopy, plays a selection of instruments. Synthesizers, piano, and guitar are all featured, and he includes field recordings, too. Maria Grigoryeva (violin, viola)
Marcus Fjellström ~ Exercises in Estrangement / Gebrauchsmusik
Exercises in Estrangement and Gebrauchsmusik were Marcus Fjellström‘s first two albums, originally released on Lampse in 2005 and 2006. Listening to them now, in pristine new editions from Miasmah, it’s remarkable to consider how contemporary ~ even futuristic ~ they
Marcus Fjellström ~ Exercises in Estrangement / Gebrauchsmusik
Exercises in Estrangement and Gebrauchsmusik were Marcus Fjellström‘s first two albums, originally released on Lampse in 2005 and 2006. Listening to them now, in pristine new editions from Miasmah, it’s remarkable to consider how contemporary ~ even futuristic ~ they
Max de Wardener ~ Kolmar
The music of Max de Wardener is impossible to pin down, as he gallops between instruments and styles. This makes Kolmar an intriguing listen, with enough ideas for two releases; and it could be argued that it should be two, as the differences are so delineated.
Max de Wardener ~ Kolmar
The music of Max de Wardener is impossible to pin down, as he gallops between instruments and styles. This makes Kolmar an intriguing listen, with enough ideas for two releases; and it could be argued that it should be two, as the differences are so delineated.
SP* Episode 11: RURAL FUTURISM – with Beatrice Ferrara & Leandro Pisano [podcast]
The Liminaria festival ran for five editions between 2014 and 2018, culminating with a collateral event in Palermo as part of Manifesta 12 (the nomadic European biennial). Based in the rural territory of Fortore, the frontier between the three regions
SP* Episode 11: RURAL FUTURISM – with Beatrice Ferrara & Leandro Pisano [podcast]
The Liminaria festival ran for five editions between 2014 and 2018, culminating with a collateral event in Palermo as part of Manifesta 12 (the nomadic European biennial). Based in the rural territory of Fortore, the frontier between the three regions
a closer listen 