Jared Sagar ~ Tombland
The last time we encountered sound artist Jared Sagar, he was soundtracking the sea on a disc titled Holme. This time he’s brought his ears inland to a different sort of home: the Tombland district of Norwich in the U.K. Wandering
Jared Sagar ~ Tombland
The last time we encountered sound artist Jared Sagar, he was soundtracking the sea on a disc titled Holme. This time he’s brought his ears inland to a different sort of home: the Tombland district of Norwich in the U.K. Wandering
SP* Episode 5: B SIDES – with Dinzu Artefacts [podcast]
B SIDES is Sound Propositions’ first label profile, featuring Joe McKay’s Dinzu Artefacts. We talk about his previous label, Spring Break Tapes!, his own artistic practice (as Monte Burrows), the importance of listening to the quotidian, and the persistence of
SP* Episode 5: B SIDES – with Dinzu Artefacts [podcast]
B SIDES is Sound Propositions’ first label profile, featuring Joe McKay’s Dinzu Artefacts. We talk about his previous label, Spring Break Tapes!, his own artistic practice (as Monte Burrows), the importance of listening to the quotidian, and the persistence of
Kotä Records ~ Spring Batch Part Two
We conclude our coverage of Kotä Records’ Spring Batch with three electronic releases and one field recording set. But which is the future sound of Russia? One thing’s for sure: the Moscow label has presented a plethora of choices. d.
Kotä Records ~ Spring Batch Part Two
We conclude our coverage of Kotä Records’ Spring Batch with three electronic releases and one field recording set. But which is the future sound of Russia? One thing’s for sure: the Moscow label has presented a plethora of choices. d.
Kotä Records ~ Spring Batch Part One
Moscow’s Kotä Records unveiled 20 releases in its first eight years; now the label has released seven albums in a day, one digitally and six on tape. This is a crazy and cool idea, and we’re all for it. The
Kotä Records ~ Spring Batch Part One
Moscow’s Kotä Records unveiled 20 releases in its first eight years; now the label has released seven albums in a day, one digitally and six on tape. This is a crazy and cool idea, and we’re all for it. The
astrïd ~ A Porthole (I)
Rachel Grimes added her blessing to 2017’s Through the Sparkle, and while her piano is absent here, her spirit remains. With each release, astrïd seems more like the heir apparent to Rachel’s. Like that Kentucky collective, they love a conceptual release, and A Porthole
astrïd ~ A Porthole (I)
Rachel Grimes added her blessing to 2017’s Through the Sparkle, and while her piano is absent here, her spirit remains. With each release, astrïd seems more like the heir apparent to Rachel’s. Like that Kentucky collective, they love a conceptual release, and A Porthole
Caterina Barbieri ~ Ecstatic Computation
Ecstatic Computation begins with one of the best tracks of the year, and ultimately proves to be a rewarding full-length listening experience. Festival favorite Caterina Barbieri has been so prolific that one forgets she’s still a relatively new presence, exploding on the scene
Caterina Barbieri ~ Ecstatic Computation
Ecstatic Computation begins with one of the best tracks of the year, and ultimately proves to be a rewarding full-length listening experience. Festival favorite Caterina Barbieri has been so prolific that one forgets she’s still a relatively new presence, exploding on the scene
Cristopher Cichocki ~ Desert Drone Cycle
The phrase desert drone implies the harshness of humidity, the undulating hum of the elements, the seeming sameness of the soundscape: the visual reflection of the expression drone on and on. In the hands of Cristopher Cichocki, it also implies the presence of
Cristopher Cichocki ~ Desert Drone Cycle
The phrase desert drone implies the harshness of humidity, the undulating hum of the elements, the seeming sameness of the soundscape: the visual reflection of the expression drone on and on. In the hands of Cristopher Cichocki, it also implies the presence of
brb>voicecoil ~ reclaim
reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988). In the first, “they paved paradise and put up a parking lot.” In the second, “this used to be real
brb>voicecoil ~ reclaim
reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988). In the first, “they paved paradise and put up a parking lot.” In the second, “this used to be real
a closer listen 