Thomas Carnacki / Vulcanus 68 ~ Split LP

If you think the cover is great, wait ’til you see the vinyl.  And if you think the vinyl is great, wait ’til you hear the music.  This disturbingly elegant split LP is a perfect October release, and would make

Thomas Carnacki / Vulcanus 68 ~ Split LP

If you think the cover is great, wait ’til you see the vinyl.  And if you think the vinyl is great, wait ’til you hear the music.  This disturbingly elegant split LP is a perfect October release, and would make

Last Ex ~ S/T

“Well, great,” said Simon to Olivier.  “Now what are we going to do with this thing?”  The thing in question was an ambient soundtrack for a horror film, and the duo had just been told it would no longer be

Last Ex ~ S/T

“Well, great,” said Simon to Olivier.  “Now what are we going to do with this thing?”  The thing in question was an ambient soundtrack for a horror film, and the duo had just been told it would no longer be

Matthew Gandy & BJ Nilsen ~ The Acoustic City

The Acoustic City is a 224-page book that includes a 75-minute CD.  One can imagine it as required reading for sound studies students, but it possesses the same readability as Angus Carlyle and Cathy Lane’s On Listening and In the Field: The Art of

Matthew Gandy & BJ Nilsen ~ The Acoustic City

The Acoustic City is a 224-page book that includes a 75-minute CD.  One can imagine it as required reading for sound studies students, but it possesses the same readability as Angus Carlyle and Cathy Lane’s On Listening and In the Field: The Art of

U SCO ~ Treffpunkt

U SCO alternately defines itself as “avant-punk” and “progressive rock with a heartcore heart”, but their defining force is that of controlled chaos.  A live fave around the Portland area, this trio rocks with the force of ten.  The band

U SCO ~ Treffpunkt

U SCO alternately defines itself as “avant-punk” and “progressive rock with a heartcore heart”, but their defining force is that of controlled chaos.  A live fave around the Portland area, this trio rocks with the force of ten.  The band

Hanan ~ Sonder

Hanan’s preferred timbre may be post-rock, but debut album Sonder contains other timbres as well: ambient, electronic, even a hint of modern composition.  The Minneapolis quartet is more concerned with music than genre, and its debut album provides a wealth of sounds

Hanan ~ Sonder

Hanan’s preferred timbre may be post-rock, but debut album Sonder contains other timbres as well: ambient, electronic, even a hint of modern composition.  The Minneapolis quartet is more concerned with music than genre, and its debut album provides a wealth of sounds

fydhws ~ The Sound (four movements in the key of D)

It’s been a long time since we’ve reviewed the work of Kristijan Petreski,  the multi-guised Macedonian composer.  At that time, he was also known as Sferi. Sound of the Spheres was a grand experimental work addressing the eight planets of the solar system

fydhws ~ The Sound (four movements in the key of D)

It’s been a long time since we’ve reviewed the work of Kristijan Petreski,  the multi-guised Macedonian composer.  At that time, he was also known as Sferi. Sound of the Spheres was a grand experimental work addressing the eight planets of the solar system

OKADA ~ Division of Self

“Gave up” is the first piece of music the listener hears on Division of Self. It’s a tense, almost schizophrenic start to an ambient record, with screeching strings spinning out of control as if chained to a nasty bout of vertigo,

OKADA ~ Division of Self

“Gave up” is the first piece of music the listener hears on Division of Self. It’s a tense, almost schizophrenic start to an ambient record, with screeching strings spinning out of control as if chained to a nasty bout of vertigo,

Pouya Ehsaei ~ There

While every instrumental album is open to interpretation, some beg to be discussed.  Pouya Ehsaei‘s There is one of them.  This ambitious work from the Iranian sound artist introduces Iranian music samples, then pulverizes them with processing and electronics.  If this work

Pouya Ehsaei ~ There

While every instrumental album is open to interpretation, some beg to be discussed.  Pouya Ehsaei‘s There is one of them.  This ambitious work from the Iranian sound artist introduces Iranian music samples, then pulverizes them with processing and electronics.  If this work