Posts Tagged: Joseph Sannicandro
Wesołowski + Kaliski ~ 281011
It may have taken about 600 years and countless jokes, but it seems Poland may finally be cool. In the last decade Poland has emerged with cutting edge festivals (Unsound), artists (Jacaszek), labels (AudioTong, Few Quiet People) and now musical
Wesołowski + Kaliski ~ 281011
It may have taken about 600 years and countless jokes, but it seems Poland may finally be cool. In the last decade Poland has emerged with cutting edge festivals (Unsound), artists (Jacaszek), labels (AudioTong, Few Quiet People) and now musical
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
LCNL 05: Sequenza 21 Mix
LCNL 05: Sequenza 21 When the idea for ACL – a positive community of critical listeners- first emerged we were determined to challenge perceived divisions of genre and form. Instead we set out to promote challenging and interesting sounds wherever
LCNL 05: Sequenza 21 Mix
LCNL 05: Sequenza 21 When the idea for ACL – a positive community of critical listeners- first emerged we were determined to challenge perceived divisions of genre and form. Instead we set out to promote challenging and interesting sounds wherever
Grausam Frühjahr ~ Descent/Ascent
A hand-numbered cassette with hardly any information at all? Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time
Grausam Frühjahr ~ Descent/Ascent
A hand-numbered cassette with hardly any information at all? Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time
Luminance Ratio ~ Like Little Garrisons Besieged
Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year. This debut recording features three members. However, the group is a collaborative collective by nature, and the trio is
Luminance Ratio ~ Like Little Garrisons Besieged
Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year. This debut recording features three members. However, the group is a collaborative collective by nature, and the trio is
a closer listen 