Posts Tagged: Joseph Sannicandro
LCNL Mix 011: Daylight Fades
LCNL Mix 011 The internet as a distribution network for music has done some really wonderful things for us, bad press to the contrary aside. As I hope this series itself will eventually attest, there is great productive power in
LCNL Mix 011: Daylight Fades
LCNL Mix 011 The internet as a distribution network for music has done some really wonderful things for us, bad press to the contrary aside. As I hope this series itself will eventually attest, there is great productive power in
LCNL 10: SEC_ Mix (part one)
LCNL 010: SEC_ Mix Last year while in Napoli I met Mario Gabola (A spirale, Aspec(t)) at Perditempo, an incredible music venue in Piazza Dante with a sister-store nearby, both of which act as bars that sell radical books and
LCNL 10: SEC_ Mix (part one)
LCNL 010: SEC_ Mix Last year while in Napoli I met Mario Gabola (A spirale, Aspec(t)) at Perditempo, an incredible music venue in Piazza Dante with a sister-store nearby, both of which act as bars that sell radical books and
Sound Propositions 02: Matteo Uggeri
Joseph Sannicandro interviews Italian soundshaper Matteo Uggeri (Hue, Sparkle in Grey) in the second installment of an ongoing series searching for a relationship towards technology that doesn’t fetishize equipment, but rather valorizes the creative process itself. There is a
Sound Propositions 02: Matteo Uggeri
Joseph Sannicandro interviews Italian soundshaper Matteo Uggeri (Hue, Sparkle in Grey) in the second installment of an ongoing series searching for a relationship towards technology that doesn’t fetishize equipment, but rather valorizes the creative process itself. There is a
Wesołowski + Kaliski ~ 281011
It may have taken about 600 years and countless jokes, but it seems Poland may finally be cool. In the last decade Poland has emerged with cutting edge festivals (Unsound), artists (Jacaszek), labels (AudioTong, Few Quiet People) and now musical
Wesołowski + Kaliski ~ 281011
It may have taken about 600 years and countless jokes, but it seems Poland may finally be cool. In the last decade Poland has emerged with cutting edge festivals (Unsound), artists (Jacaszek), labels (AudioTong, Few Quiet People) and now musical
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
