Posts Tagged: self released
No Chance to Get Lost: An Interview with Mukqs
Over the course March and April of this year, the Chicago-based experimentalist Mukqs released a series of EPs that showcase a wide diversity of approaches to electronics, each album coming to develop a life of its own. Given the project’s
No Chance to Get Lost: An Interview with Mukqs
Over the course March and April of this year, the Chicago-based experimentalist Mukqs released a series of EPs that showcase a wide diversity of approaches to electronics, each album coming to develop a life of its own. Given the project’s
Whettman Chelmets ~ Long Read Memories
Memory is a constant in Whettman Chelmets’ work, but it is not the kind of exploration that centers on the ephemeral and the nostalgic. Instead, his music delves into absence, the failure of recollection, and in this album, the many
Whettman Chelmets ~ Long Read Memories
Memory is a constant in Whettman Chelmets’ work, but it is not the kind of exploration that centers on the ephemeral and the nostalgic. Instead, his music delves into absence, the failure of recollection, and in this album, the many
W00dy ~ My Diary
Have you ever danced in your room with music you feel only you know how to move to? That’s the kind of ecstatic energy that My Diary exudes at every turn, its fast beats a kinetic celebration of self-knowledge, of
W00dy ~ My Diary
Have you ever danced in your room with music you feel only you know how to move to? That’s the kind of ecstatic energy that My Diary exudes at every turn, its fast beats a kinetic celebration of self-knowledge, of
*Press A* ~ Voidrun, Yuppie Psycho
Pentadrangle ~ Voidrun Voidrun is, without a doubt, one of the most enjoyable chiptune surprises of the year. It does what its MIDI-inspired kind of electronic does best: mash genres up into unique, new-sounding music. It’s got an old-school metallic
*Press A* ~ Voidrun, Yuppie Psycho
Pentadrangle ~ Voidrun Voidrun is, without a doubt, one of the most enjoyable chiptune surprises of the year. It does what its MIDI-inspired kind of electronic does best: mash genres up into unique, new-sounding music. It’s got an old-school metallic
Diego Lozano & Roberto Tercero ~ Carraca
Carraca refers to the ships with which emerging European states started their centuries-long process of plundering the rest of the world, successors to the caravel and the predecessors of the better-built galleons of the seventeenth century. The piece that bears
Diego Lozano & Roberto Tercero ~ Carraca
Carraca refers to the ships with which emerging European states started their centuries-long process of plundering the rest of the world, successors to the caravel and the predecessors of the better-built galleons of the seventeenth century. The piece that bears
rj lake ~ Muddledash! OST
What music do you get when you’re a cute cartoon octopus and you get together will all your friends to play some races and celebrate your birthday? Muddledash! is brimming with the joy of friendship, a sweet, pop album of
rj lake ~ Muddledash! OST
What music do you get when you’re a cute cartoon octopus and you get together will all your friends to play some races and celebrate your birthday? Muddledash! is brimming with the joy of friendship, a sweet, pop album of
Rudi Arapahoe ~ A False Memory of a Sports Party
“Just be yourself”. This commonplace answer to many an existential query implies an absolute knowledge of the self, as if it was an unchanging object we’ve extensively and definitively investigated at some past point in time. And yet we change,
Rudi Arapahoe ~ A False Memory of a Sports Party
“Just be yourself”. This commonplace answer to many an existential query implies an absolute knowledge of the self, as if it was an unchanging object we’ve extensively and definitively investigated at some past point in time. And yet we change,
Channeler ~ Protocol
“Protocol is a haunting symphony performed by a post-human orchestra”, says Channeler in the EP’s notes, “a collection of heavy, anxious breathing from partially autonomous machines, combating the notion that they are instruments of an other and not in and
Channeler ~ Protocol
“Protocol is a haunting symphony performed by a post-human orchestra”, says Channeler in the EP’s notes, “a collection of heavy, anxious breathing from partially autonomous machines, combating the notion that they are instruments of an other and not in and
a closer listen 