Posts Tagged: XL

ACL 2013: Top Ten Rock, Post-Rock, Folk & Jazz

The last of our genre lists is filled with WOW moments: big crescendos, bold moves, instinctive collaborations, explosions of brass.  This is music for car stereos and open windows, music to lift the sullen heart and to make it race.

ACL 2013: Top Ten Rock, Post-Rock, Folk & Jazz

The last of our genre lists is filled with WOW moments: big crescendos, bold moves, instinctive collaborations, explosions of brass.  This is music for car stereos and open windows, music to lift the sullen heart and to make it race.

Sigur Rós ~ Kveikur

Q:  “What’s that Sigur Rós song that goes, ‘Oo-OO-oo’, and then there’s some guitars? A:  All of them. That’s the popular joke about the Icelandic supergroup.  At one time the band’s sound seemed fresh and new, an antidote to the staid and

Sigur Rós ~ Kveikur

Q:  “What’s that Sigur Rós song that goes, ‘Oo-OO-oo’, and then there’s some guitars? A:  All of them. That’s the popular joke about the Icelandic supergroup.  At one time the band’s sound seemed fresh and new, an antidote to the staid and

ACL 2012: The Top 20 Albums of the Year

Thousands of releases, hundreds of reviews, and it all comes down to this: the Top Twenty instrumental and experimental releases of 2012.  This isn’t just the one percent; it’s a small percent of a percent, the cream of the crop.

ACL 2012: The Top 20 Albums of the Year

Thousands of releases, hundreds of reviews, and it all comes down to this: the Top Twenty instrumental and experimental releases of 2012.  This isn’t just the one percent; it’s a small percent of a percent, the cream of the crop.

ACL 2012: Top Ten Rock & Post Rock

Rock, Post-Rock, Folk & Jazz is an umbrella category that is dominated by, but not exclusive to post-rock.  As evidenced by this year’s incredibly diverse selection, the old horse seems to have no intention of lying down any time soon.

ACL 2012: Top Ten Rock & Post Rock

Rock, Post-Rock, Folk & Jazz is an umbrella category that is dominated by, but not exclusive to post-rock.  As evidenced by this year’s incredibly diverse selection, the old horse seems to have no intention of lying down any time soon.