Yearly Archives: 2012

Tyneham House ~ Tyneham House

“Oh, how lovely!” says she, clapping her hands once in delight.  Over sixty years have passed since she last saw her ancestral village.  Blinded by a mortar strike, she had been told only spindles of narrative:  Mum, we had to

Tyneham House ~ Tyneham House

“Oh, how lovely!” says she, clapping her hands once in delight.  Over sixty years have passed since she last saw her ancestral village.  Blinded by a mortar strike, she had been told only spindles of narrative:  Mum, we had to

Seth Chrisman ~ Aetherdrift, Do You Copy

Last year the Flaming Pines label sent ripples throughout the water-filled earth with the ambitious Rivers Home set.  2012’s first offering is even better – not a tsunami, but a compact, rideable wave.  This should come as no surprise, considering

Seth Chrisman ~ Aetherdrift, Do You Copy

Last year the Flaming Pines label sent ripples throughout the water-filled earth with the ambitious Rivers Home set.  2012’s first offering is even better – not a tsunami, but a compact, rideable wave.  This should come as no surprise, considering

Celer & Machinefabriek ~ Maastunnel/Mt. Mitake

When is a single not just a single?  When it’s an event – in this case, the product of two stellar talents, joining forces for the first time.  A shared concert in 2010 inspired these prolific performers to begin exchanging

Celer & Machinefabriek ~ Maastunnel/Mt. Mitake

When is a single not just a single?  When it’s an event – in this case, the product of two stellar talents, joining forces for the first time.  A shared concert in 2010 inspired these prolific performers to begin exchanging

Grausam Frühjahr ~ Descent/Ascent

A hand-numbered cassette with hardly any information at all?  Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time

Grausam Frühjahr ~ Descent/Ascent

A hand-numbered cassette with hardly any information at all?  Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time

Luminance Ratio ~ Like Little Garrisons Besieged

Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year.  This debut recording features three members.  However, the group is a collaborative collective by nature, and the trio is

Luminance Ratio ~ Like Little Garrisons Besieged

Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year.  This debut recording features three members.  However, the group is a collaborative collective by nature, and the trio is

nembrot/A. “ICS” Ferraris ~ il suono dell’ olifante

Yet another instance of collaborating Italian sound experimentalists, il suono dell’olifante draws on noise improvisation and careful post-production techniques to intimidating effect.  The trio of Nembrot draws out “insane” guitar noise with “nembrotic percurssion,”  combined with the laptop treatments and cheap electronics

nembrot/A. “ICS” Ferraris ~ il suono dell’ olifante

Yet another instance of collaborating Italian sound experimentalists, il suono dell’olifante draws on noise improvisation and careful post-production techniques to intimidating effect.  The trio of Nembrot draws out “insane” guitar noise with “nembrotic percurssion,”  combined with the laptop treatments and cheap electronics

LCNL Mix 03: Enrico Coniglio

LCNL Mix 03: Enrico Coniglio The most recent in a series of mixes by the Lost Children Net Label, and the debut mix for ACL, comes from Enrico Coniglio.  Coniglio is an Italian Guitarist, “environmental sound recordist,” sound artist, and photographer

LCNL Mix 03: Enrico Coniglio

LCNL Mix 03: Enrico Coniglio The most recent in a series of mixes by the Lost Children Net Label, and the debut mix for ACL, comes from Enrico Coniglio.  Coniglio is an Italian Guitarist, “environmental sound recordist,” sound artist, and photographer

From the Mouth of the Sun ~ Woven Tide

The key track on last year’s Jasper TX album, The Black Sun Transmissions, was the Aaron Martin collaboration, “Weight of Days”.  Martin’s cello filled a void in Dag Rosenqvist‘s sonic world, while Rosenqvist’s electronics added grit to Martin’s clean classical vision.

From the Mouth of the Sun ~ Woven Tide

The key track on last year’s Jasper TX album, The Black Sun Transmissions, was the Aaron Martin collaboration, “Weight of Days”.  Martin’s cello filled a void in Dag Rosenqvist‘s sonic world, while Rosenqvist’s electronics added grit to Martin’s clean classical vision.