Author Archives: gianmarcodelre
Ukrainian Field Notes XLIII
Over the past three years we have covered many genres, with Ukrainian Field Notes often looking more like Mixmag than ACL. With the current episode we stray into KERRANG! territory, so maybe this should have been called Ukrainian Field (Metal)
Ukrainian Field Notes XLIII
Over the past three years we have covered many genres, with Ukrainian Field Notes often looking more like Mixmag than ACL. With the current episode we stray into KERRANG! territory, so maybe this should have been called Ukrainian Field (Metal)
Andriana-Yaroslava Saienko ~ Atlantis
Reviewing film scores is an easier task as one has generally access to the film, but with a play one needs to rely on program notes and stage photos to understand the context. Even if the music stands on its
Andriana-Yaroslava Saienko ~ Atlantis
Reviewing film scores is an easier task as one has generally access to the film, but with a play one needs to rely on program notes and stage photos to understand the context. Even if the music stands on its
Ukrainian Field Notes XLII
For this episode we travel to Ivano-Frankivsk to discover what DEDDOM does when he finds out the amount of his pension. Also in Ivano-Frankivsk we speculate on the meaning of Cringemodernism with Benjamin WiSE, and 5NONE5 distances himself from American
Ukrainian Field Notes XLII
For this episode we travel to Ivano-Frankivsk to discover what DEDDOM does when he finds out the amount of his pension. Also in Ivano-Frankivsk we speculate on the meaning of Cringemodernism with Benjamin WiSE, and 5NONE5 distances himself from American
Natalie Beridze ~ Street Life
When does a drone become a protest song? The audible echo of the ongoing demonstrations that have been taking place in Tbilisi, the capital of the Sakartvelo (Georgia), since the recent contested parliamentary elections (26 October 2024), constitutes the raw
Natalie Beridze ~ Street Life
When does a drone become a protest song? The audible echo of the ongoing demonstrations that have been taking place in Tbilisi, the capital of the Sakartvelo (Georgia), since the recent contested parliamentary elections (26 October 2024), constitutes the raw
Ukrainian Field Notes XLI
February 24 marks the third anniversary of the full-scale invasion. As I write this, negotiations are taking place without the direct involvement of Ukraine, or Europe for that matter, which is the very reason I started this series, to give
Ukrainian Field Notes XLI
February 24 marks the third anniversary of the full-scale invasion. As I write this, negotiations are taking place without the direct involvement of Ukraine, or Europe for that matter, which is the very reason I started this series, to give
Beyond museification, an interview with Ored Recordings
Over at Ukrainian Field Notes we have long been delving into Russia’s colonial history and have been finding the output of Ored Recordings, a label that has been unearthing music from the Caucasus for over ten years now, an essential
Beyond museification, an interview with Ored Recordings
Over at Ukrainian Field Notes we have long been delving into Russia’s colonial history and have been finding the output of Ored Recordings, a label that has been unearthing music from the Caucasus for over ten years now, an essential
Ukrainian Field Notes XL
Size matters! Ukrainian Field Notes has gone extra large having now reached episode XL with 300+ interviews to date! To celebrate, UFN has partnered with Music Export Ukraine, an independent initiative, which helps Ukrainian artists to build international presence 🇺🇦.
Ukrainian Field Notes XL
Size matters! Ukrainian Field Notes has gone extra large having now reached episode XL with 300+ interviews to date! To celebrate, UFN has partnered with Music Export Ukraine, an independent initiative, which helps Ukrainian artists to build international presence 🇺🇦.
Ukrainian Field Notes XXXIX
For the last episode of 2024 we discuss the metaphor of a bomb’s impact zone with Alexey Shmurak, we get to hear a modernist self-portrait from Alisa Zaika, and we chat about a “lost generation” with Mixmag Ukraine’s editor in
Ukrainian Field Notes XXXIX
For the last episode of 2024 we discuss the metaphor of a bomb’s impact zone with Alexey Shmurak, we get to hear a modernist self-portrait from Alisa Zaika, and we chat about a “lost generation” with Mixmag Ukraine’s editor in
a closer listen 