Author Archives: postrockcafe
Stéphane Marin ~ K ~ Ö
As the curator of the ongoing series Each Morning of the World, sonographer Stéphane Marin has played an integral role in championing the art of field recording. While he’s occasionally contributed his own pieces to this project, it’s been a while since he’s
Stéphane Marin ~ K ~ Ö
As the curator of the ongoing series Each Morning of the World, sonographer Stéphane Marin has played an integral role in championing the art of field recording. While he’s occasionally contributed his own pieces to this project, it’s been a while since he’s
Goodbye Eilean, Hello Laaps ~ (eilean 100) and The Alvaret Ensemble’s ea
Mathias Van Eecloo’s Eilean Records ended its six-year mission in December, finishing a 100-point map with the massive 82-track (eilean 100). A new decade has brought a new project called Laaps, launching with The Alvaret Ensemble‘s ea (not to be confused with the band’s AE). Today we
Goodbye Eilean, Hello Laaps ~ (eilean 100) and The Alvaret Ensemble’s ea
Mathias Van Eecloo’s Eilean Records ended its six-year mission in December, finishing a 100-point map with the massive 82-track (eilean 100). A new decade has brought a new project called Laaps, launching with The Alvaret Ensemble‘s ea (not to be confused with the band’s AE). Today we
Leandro Fresco & Rafael Anton Irisarri ~ Una Presencia En La Brisa
In January 2020, The Guardian published an article summarising the historical appeal of ambient music and forecasting a renaissance for the genre. It’s an article the newspaper seems to rewrite every few years, ‘predicting’ the rise of ambient music in 2009,
Leandro Fresco & Rafael Anton Irisarri ~ Una Presencia En La Brisa
In January 2020, The Guardian published an article summarising the historical appeal of ambient music and forecasting a renaissance for the genre. It’s an article the newspaper seems to rewrite every few years, ‘predicting’ the rise of ambient music in 2009,
Colin Stetson ~ Color Out of Space OST
The score launches with a creepy, gooey miasma, as if some lugubrious extraterrestrial force were seeping into our soil and souls. And as a matter of fact, it is! The glissandos and rustlings of opening set piece “West of Arkham”
Colin Stetson ~ Color Out of Space OST
The score launches with a creepy, gooey miasma, as if some lugubrious extraterrestrial force were seeping into our soil and souls. And as a matter of fact, it is! The glissandos and rustlings of opening set piece “West of Arkham”
Messell ~ Ligesom Rigtige Mennesker
As we review the year’s first releases, it’s fun to meet one of the first new labels as well. And so we welcome Copenhagen’s Textur, whose initial release is a perfect reflection of its name. To complete the trifecta, Ligesom Rigtige
Messell ~ Ligesom Rigtige Mennesker
As we review the year’s first releases, it’s fun to meet one of the first new labels as well. And so we welcome Copenhagen’s Textur, whose initial release is a perfect reflection of its name. To complete the trifecta, Ligesom Rigtige
still life ~ for a long time i went to bed early
Providence, RI composer still life (Daniel Fine) has made a huge jump forward in a short period of time. 2017’s EP somewhere in new york focused on piano, while for a long time i went to bed early incorporates spoken words and a slowly expanding tonal
still life ~ for a long time i went to bed early
Providence, RI composer still life (Daniel Fine) has made a huge jump forward in a short period of time. 2017’s EP somewhere in new york focused on piano, while for a long time i went to bed early incorporates spoken words and a slowly expanding tonal
Philip Samartzis & Eric La Casa ~ Captured Space
What is the role of wilderness in the imagination? Is wilderness still wild if it is walled? In a preserve, who are the captors, and who are the captives? These are only a few of the questions asked by Philip Samartzis
Philip Samartzis & Eric La Casa ~ Captured Space
What is the role of wilderness in the imagination? Is wilderness still wild if it is walled? In a preserve, who are the captors, and who are the captives? These are only a few of the questions asked by Philip Samartzis
Machinefabriek ~ Stillness Soundtracks II
When we talk about movie sequels, the consensus is that few are as good as the original. Here’s one that is: Esther Kokmeijer’s Stillness – Brash Ice, Pack Ice, Growlers, Bergy Bits and Icebergs. This stunning film is a marvel of cinematography,
Machinefabriek ~ Stillness Soundtracks II
When we talk about movie sequels, the consensus is that few are as good as the original. Here’s one that is: Esther Kokmeijer’s Stillness – Brash Ice, Pack Ice, Growlers, Bergy Bits and Icebergs. This stunning film is a marvel of cinematography,
a closer listen 