Author Archives: postrockcafe

Joshua Van Tassel ~ Crossworlds

The album was already a blast ~ a dramatic orchestral rock project featuring underwater field recordings from Newfoundland and a generous array of newly created instruments.  But then they went ahead and added a hardback book, pumpkin colored, gold gilded

Joshua Van Tassel ~ Crossworlds

The album was already a blast ~ a dramatic orchestral rock project featuring underwater field recordings from Newfoundland and a generous array of newly created instruments.  But then they went ahead and added a hardback book, pumpkin colored, gold gilded

Federico Durand ~ Pequeñas Melodías

IIKKI Books returns this fall with the colorful explosion of Pequeñas Melodías, a book of full-color photographs by Albarrán Cabrera (Angel Albarrán & Anna Cabrera) and an album from Federico Durand.  The pieces of this release complement each other and can be

Federico Durand ~ Pequeñas Melodías

IIKKI Books returns this fall with the colorful explosion of Pequeñas Melodías, a book of full-color photographs by Albarrán Cabrera (Angel Albarrán & Anna Cabrera) and an album from Federico Durand.  The pieces of this release complement each other and can be

SHALT ~ Seraphim

There’s more than a hint of the spiritual on Seraphim, which was inspired by the highest order of angel and written by a producer whose name ~ SHALT ~ recalls the Ten Commandments.  The label name (Astral Plane Recordings) is a bonus.  One

SHALT ~ Seraphim

There’s more than a hint of the spiritual on Seraphim, which was inspired by the highest order of angel and written by a producer whose name ~ SHALT ~ recalls the Ten Commandments.  The label name (Astral Plane Recordings) is a bonus.  One

Sejd ~ Ben & hjärta

Swedish post-rock septet Sejd wastes no time getting to the good stuff.  Opener “Storm and stiltje” (“Storm and lull”) is a bold move.  A quarter-hour in length, it’s also more than a quarter of the album.  The title is perfect for a

Sejd ~ Ben & hjärta

Swedish post-rock septet Sejd wastes no time getting to the good stuff.  Opener “Storm and stiltje” (“Storm and lull”) is a bold move.  A quarter-hour in length, it’s also more than a quarter of the album.  The title is perfect for a

Ian William Craig ~ Thresholder

Ian William Craig holds such a cherished spot in our musical consciousness that it’s a surprise to recall that his first album was released in 2012 ~ coincidentally, the first year of our site.  A unique composer with a clearly identifiable

Ian William Craig ~ Thresholder

Ian William Craig holds such a cherished spot in our musical consciousness that it’s a surprise to recall that his first album was released in 2012 ~ coincidentally, the first year of our site.  A unique composer with a clearly identifiable

Emilía ~ Spring through a window

Emilía has done it again.  The duo who brought us last year’s exquisite EP Down to the Sadness River is back with another melancholic gem.  While it may seem out of season in fall, the phrase “spring through a window” refers to the

Emilía ~ Spring through a window

Emilía has done it again.  The duo who brought us last year’s exquisite EP Down to the Sadness River is back with another melancholic gem.  While it may seem out of season in fall, the phrase “spring through a window” refers to the

Daniel Bjarnason ~ Collider

We’ve been fans of Daniel Bjarnason from the start, and with each new release, he’s continued to cement our initial reaction.  Collider is a spectacular album, collecting compositions from the artist’s “American period,” initially written for ensembles in Cincinnati and Los Angeles and

Daniel Bjarnason ~ Collider

We’ve been fans of Daniel Bjarnason from the start, and with each new release, he’s continued to cement our initial reaction.  Collider is a spectacular album, collecting compositions from the artist’s “American period,” initially written for ensembles in Cincinnati and Los Angeles and

ACL 2018 ~ Music for Haunted Houses

In 2018, the world reached a tipping point in which scary music is no longer scarier than real life.  The old monsters are disappointed; they just can’t compete with the news.  This being said, it’s one of our favorite times

ACL 2018 ~ Music for Haunted Houses

In 2018, the world reached a tipping point in which scary music is no longer scarier than real life.  The old monsters are disappointed; they just can’t compete with the news.  This being said, it’s one of our favorite times