Author Archives: postrockcafe

Boris Berlin ~ Soundtrack for an Imaginary Film

The title may be a cliché, but the music is not.  New York composer Boris Berlin has simply been bold enough to use the phrase.  And so, yes, this is the soundtrack to an imaginary film (with an actual plot), but it’s

Boris Berlin ~ Soundtrack for an Imaginary Film

The title may be a cliché, but the music is not.  New York composer Boris Berlin has simply been bold enough to use the phrase.  And so, yes, this is the soundtrack to an imaginary film (with an actual plot), but it’s

John Kameel Farah ~ Between Carthage and Rome

Toronto composer John Kameel Farah is a multi-disciplinary, intercultural artist who seems to excel at everything he does.  Not only does he play piano, he adds electronics and orchestral instruments.  Not only does he compose, he also produces elaborate ink drawings.  His

John Kameel Farah ~ Between Carthage and Rome

Toronto composer John Kameel Farah is a multi-disciplinary, intercultural artist who seems to excel at everything he does.  Not only does he play piano, he adds electronics and orchestral instruments.  Not only does he compose, he also produces elaborate ink drawings.  His

Yannick Dauby ~ tsi̍t lâu tsuí 一流水

Yannick Dauby‘s latest soundscape is not a typical field recording; louder and more immediate than the average effort, this vinyl excursion amplifies the sounds of shore and sea beyond what the naked ear is used to hearing. As a Frenchman

Yannick Dauby ~ tsi̍t lâu tsuí 一流水

Yannick Dauby‘s latest soundscape is not a typical field recording; louder and more immediate than the average effort, this vinyl excursion amplifies the sounds of shore and sea beyond what the naked ear is used to hearing. As a Frenchman

Nickolas Mohanna ~ Phase Line

Nickolas Mohanna has operated in many fields, from drone to modern composition, but Phase Line is his wildest work to date.  The album began as a sound installation, and includes the angular, manipulated output of “electronic billboards, kiosk stations and traffic control devices”.

Nickolas Mohanna ~ Phase Line

Nickolas Mohanna has operated in many fields, from drone to modern composition, but Phase Line is his wildest work to date.  The album began as a sound installation, and includes the angular, manipulated output of “electronic billboards, kiosk stations and traffic control devices”.

Natasha Barrett ~ Peat+Polymer

This one has it all: intercontinental field recordings, sledding children, vocal manipulations, soundscapes, excursions in drone.  Natasha Barrett has been called “Norway’s most prominent composer of electro-acoustic music,” and on the basis of this double disc, she’s earned it.  Peat+Polymer isn’t just

Natasha Barrett ~ Peat+Polymer

This one has it all: intercontinental field recordings, sledding children, vocal manipulations, soundscapes, excursions in drone.  Natasha Barrett has been called “Norway’s most prominent composer of electro-acoustic music,” and on the basis of this double disc, she’s earned it.  Peat+Polymer isn’t just

Anduin ~ Last Days of Montrose House

Infinite Greyscale is one of our favorite labels, known for releasing quality 10″ records, only a handful each year.  They’ve upped their game in 2015, as Anduin‘s Last Days of Montrose House is paired with a digital package of seven remixes from

Anduin ~ Last Days of Montrose House

Infinite Greyscale is one of our favorite labels, known for releasing quality 10″ records, only a handful each year.  They’ve upped their game in 2015, as Anduin‘s Last Days of Montrose House is paired with a digital package of seven remixes from

The Helen Scarsdale Agency: Fire and Ice

“Some say the world will end in fire,” writes Robert Frost, “Some say in ice.” A pair of new albums from The Helen Scarsdale Agency represents both viewpoints: Jim Haynes‘ Scarlet the former, Sigtryggur Berg Sigmarsson‘s So Long the latter. As I write

The Helen Scarsdale Agency: Fire and Ice

“Some say the world will end in fire,” writes Robert Frost, “Some say in ice.” A pair of new albums from The Helen Scarsdale Agency represents both viewpoints: Jim Haynes‘ Scarlet the former, Sigtryggur Berg Sigmarsson‘s So Long the latter. As I write

Abre Ojos ~ Fracture

We open on the shot of a priest, but it doesn’t remain benign for long; the head splits in two, a demonic voice erupts, and the entire screen fractures, reflecting the title of the DVD.  Abre Ojos clearly has a bone to

Abre Ojos ~ Fracture

We open on the shot of a priest, but it doesn’t remain benign for long; the head splits in two, a demonic voice erupts, and the entire screen fractures, reflecting the title of the DVD.  Abre Ojos clearly has a bone to