Kotä Records ~ Spring Batch Part Two
We conclude our coverage of Kotä Records’ Spring Batch with three electronic releases and one field recording set. But which is the future sound of Russia? One thing’s for sure: the Moscow label has presented a plethora of choices. d.
Kotä Records ~ Spring Batch Part Two
We conclude our coverage of Kotä Records’ Spring Batch with three electronic releases and one field recording set. But which is the future sound of Russia? One thing’s for sure: the Moscow label has presented a plethora of choices. d.
Kotä Records ~ Spring Batch Part One
Moscow’s Kotä Records unveiled 20 releases in its first eight years; now the label has released seven albums in a day, one digitally and six on tape. This is a crazy and cool idea, and we’re all for it. The
Kotä Records ~ Spring Batch Part One
Moscow’s Kotä Records unveiled 20 releases in its first eight years; now the label has released seven albums in a day, one digitally and six on tape. This is a crazy and cool idea, and we’re all for it. The
astrïd ~ A Porthole (I)
Rachel Grimes added her blessing to 2017’s Through the Sparkle, and while her piano is absent here, her spirit remains. With each release, astrïd seems more like the heir apparent to Rachel’s. Like that Kentucky collective, they love a conceptual release, and A Porthole
astrïd ~ A Porthole (I)
Rachel Grimes added her blessing to 2017’s Through the Sparkle, and while her piano is absent here, her spirit remains. With each release, astrïd seems more like the heir apparent to Rachel’s. Like that Kentucky collective, they love a conceptual release, and A Porthole
Caterina Barbieri ~ Ecstatic Computation
Ecstatic Computation begins with one of the best tracks of the year, and ultimately proves to be a rewarding full-length listening experience. Festival favorite Caterina Barbieri has been so prolific that one forgets she’s still a relatively new presence, exploding on the scene
Caterina Barbieri ~ Ecstatic Computation
Ecstatic Computation begins with one of the best tracks of the year, and ultimately proves to be a rewarding full-length listening experience. Festival favorite Caterina Barbieri has been so prolific that one forgets she’s still a relatively new presence, exploding on the scene
Cristopher Cichocki ~ Desert Drone Cycle
The phrase desert drone implies the harshness of humidity, the undulating hum of the elements, the seeming sameness of the soundscape: the visual reflection of the expression drone on and on. In the hands of Cristopher Cichocki, it also implies the presence of
Cristopher Cichocki ~ Desert Drone Cycle
The phrase desert drone implies the harshness of humidity, the undulating hum of the elements, the seeming sameness of the soundscape: the visual reflection of the expression drone on and on. In the hands of Cristopher Cichocki, it also implies the presence of
brb>voicecoil ~ reclaim
reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988). In the first, “they paved paradise and put up a parking lot.” In the second, “this used to be real
brb>voicecoil ~ reclaim
reclaim brings to mind two classic pop songs: Joni Mitchell’s “Big Yellow Taxi” (1970) and Talking Heads’ “Nothing But Flowers” (1988). In the first, “they paved paradise and put up a parking lot.” In the second, “this used to be real
Stephen Cornford ~ Constant Linear Velocity
Consumer Waste is the perfect home for an album inspired by obsolescent technology. Constant Linear Velocity began life as an installation (see this article on Fluid Radio), but after moving from country to country, the installation was lost; now all that
Stephen Cornford ~ Constant Linear Velocity
Consumer Waste is the perfect home for an album inspired by obsolescent technology. Constant Linear Velocity began life as an installation (see this article on Fluid Radio), but after moving from country to country, the installation was lost; now all that
Polynation ~ Igneous
As we noted in our Spring Music Preview, it helps to have a awesome cover. Polynation‘s alluring art is matched by immersive music. Igneous is cinematic, exciting and funky, a fitting score to an apocalyptic stampede (as Hessel Stuut’s art suggests), perfect
Polynation ~ Igneous
As we noted in our Spring Music Preview, it helps to have a awesome cover. Polynation‘s alluring art is matched by immersive music. Igneous is cinematic, exciting and funky, a fitting score to an apocalyptic stampede (as Hessel Stuut’s art suggests), perfect
