Dedekind Cut ~ Tahoe
OK, the tag at the top of the page says ‘Ambient’ and the label is Kranky but don’t put Tahoe on expecting to be borne aloft on clouds of ambient fluffiness for an hour. Dedekind Cut’s new album is an
Dedekind Cut ~ Tahoe
OK, the tag at the top of the page says ‘Ambient’ and the label is Kranky but don’t put Tahoe on expecting to be borne aloft on clouds of ambient fluffiness for an hour. Dedekind Cut’s new album is an
B. Fleischmann ~ Stop Making Fans
It’s not always easy to sympathise with PR departments but spare a thought for the team faced with the new B. Fleischmann album. You can imagine the conversation: PR: “Stop Making Fans? B, what are you saying here?” B: “It’s
B. Fleischmann ~ Stop Making Fans
It’s not always easy to sympathise with PR departments but spare a thought for the team faced with the new B. Fleischmann album. You can imagine the conversation: PR: “Stop Making Fans? B, what are you saying here?” B: “It’s
Pecking at Borders with Corvo Records
Corvo Records‘ mission is best expressed by the label’s animated logo: a black vinyl disc blinking beside a record player’s arm. As Corvo’s owner Wendelin Büchler explains, the icon shares the profile of a black-faced bird (in Italian, corvo means crow):
Pecking at Borders with Corvo Records
Corvo Records‘ mission is best expressed by the label’s animated logo: a black vinyl disc blinking beside a record player’s arm. As Corvo’s owner Wendelin Büchler explains, the icon shares the profile of a black-faced bird (in Italian, corvo means crow):
Rafael Anton Irisarri ~ Midnight Colours
Rafael Anton Irisarri made a strong statement about the condition of the world in 2017 with The Shameless Years. This year he continues to push boundaries and buttons on Midnight Colours. The shamelessness of global politics has continued to settle in, producing
Rafael Anton Irisarri ~ Midnight Colours
Rafael Anton Irisarri made a strong statement about the condition of the world in 2017 with The Shameless Years. This year he continues to push boundaries and buttons on Midnight Colours. The shamelessness of global politics has continued to settle in, producing
The Fun Years ~ A Heart to Heart About Our Values
The Fun Years tune into a sobering radio station where gently oscillating drones are fed through to the listener over a pensive, long wave. There aren’t any instantaneous, kicking drums or overdriven power chords, although the long drone does pick
The Fun Years ~ A Heart to Heart About Our Values
The Fun Years tune into a sobering radio station where gently oscillating drones are fed through to the listener over a pensive, long wave. There aren’t any instantaneous, kicking drums or overdriven power chords, although the long drone does pick
James A. McDermid ~ Tonal Glints
My sister is my only sibling; I can’t imagine what it would be like to lose her. Two years ago, James A. McDermid experienced the unimaginable. The loss of Harriet (1975-2016) left a huge hole in his life, and ever since then
James A. McDermid ~ Tonal Glints
My sister is my only sibling; I can’t imagine what it would be like to lose her. Two years ago, James A. McDermid experienced the unimaginable. The loss of Harriet (1975-2016) left a huge hole in his life, and ever since then
Philipp Rumsch Ensemble ~ Reflections
Far from the pensive or maudlin connotations usually associated with reflecting in a musical context, Philipp Rumsch likely titled his debut LP after the idea of collisions – not of light, but sound. Extensively trained and with youthful exuberance, the
Philipp Rumsch Ensemble ~ Reflections
Far from the pensive or maudlin connotations usually associated with reflecting in a musical context, Philipp Rumsch likely titled his debut LP after the idea of collisions – not of light, but sound. Extensively trained and with youthful exuberance, the
kutin | kindlinger ~ Decomposition IV: Variations on bulletproof glass
Three years have passed since Decomposition I-III, which in Hollywood is considered an appropriate span of time for a sequel. Music sequels are different in that the stars may stay the same, but the settings and plots may morph beyond recognition.
kutin | kindlinger ~ Decomposition IV: Variations on bulletproof glass
Three years have passed since Decomposition I-III, which in Hollywood is considered an appropriate span of time for a sequel. Music sequels are different in that the stars may stay the same, but the settings and plots may morph beyond recognition.
a closer listen 