Francesco Giannico & Guilio Aldinucci ~ Agoraphonia
The public square is a place for gathering, for conversation, for the reading and dissemination of literature, for food carts and chess boards, for playful recreation and for protest. Marked by monuments, the square is not only a microcosm, but
Francesco Giannico & Guilio Aldinucci ~ Agoraphonia
The public square is a place for gathering, for conversation, for the reading and dissemination of literature, for food carts and chess boards, for playful recreation and for protest. Marked by monuments, the square is not only a microcosm, but
The Void* ~ Values
Values is the album so big, it took three labels to release it: Netherlands co-conspirators Lomechanik, Shipwrec and Esc.recs. The sound is similarly large, as it crosses between genres like ships through the wormholes of its die cut cover. The predominant
The Void* ~ Values
Values is the album so big, it took three labels to release it: Netherlands co-conspirators Lomechanik, Shipwrec and Esc.recs. The sound is similarly large, as it crosses between genres like ships through the wormholes of its die cut cover. The predominant
Lawrence English ~ Approaching Nothing
It’s almost impossible to comprehend the initial reactions to Luc Ferrari’s Presque Rien n° 1, the piece that inspires Lawrence English‘s Approaching Nothing. A 2013 article in Brainwashed explains that Ferrari’s edited/juxtaposed field recording was once considered controversial, managing to offend the musique
Lawrence English ~ Approaching Nothing
It’s almost impossible to comprehend the initial reactions to Luc Ferrari’s Presque Rien n° 1, the piece that inspires Lawrence English‘s Approaching Nothing. A 2013 article in Brainwashed explains that Ferrari’s edited/juxtaposed field recording was once considered controversial, managing to offend the musique
Sun Curves ~ Nearly Real
As long as the music’s playing, sunshine continues to gently spill out, glinting as brightly as a lover’s eyes in the misty sunshine of an August day. As the light falls onto the sea, the ambient music of Nearly Real gleams
Sun Curves ~ Nearly Real
As long as the music’s playing, sunshine continues to gently spill out, glinting as brightly as a lover’s eyes in the misty sunshine of an August day. As the light falls onto the sea, the ambient music of Nearly Real gleams
iacon & nano ~ Spectre
Saturday, October 12, 2024 10:14 p.m Spectre drives down the road, the sediment of the sidewalk and the jet black asphalt lightly crunching against the rough snakeskin texture of the tyres. It’s going for a midnight drive – you wanna come
iacon & nano ~ Spectre
Saturday, October 12, 2024 10:14 p.m Spectre drives down the road, the sediment of the sidewalk and the jet black asphalt lightly crunching against the rough snakeskin texture of the tyres. It’s going for a midnight drive – you wanna come
Lo Tide ~ Closed to Listening
The title of Lo Tide‘s new EP, Closed to Listening, seems the direct opposite of our site’s name. And yet the title is likely meant in an ironic way, as the EP is noticeably open to new electronic styles. The set follows on
Lo Tide ~ Closed to Listening
The title of Lo Tide‘s new EP, Closed to Listening, seems the direct opposite of our site’s name. And yet the title is likely meant in an ironic way, as the EP is noticeably open to new electronic styles. The set follows on
Various Artists ~ Eleven Into Fifteen
For years, Fatcat imprint 130701 had been releasing some of our all-time favorite albums, including Max Richter‘s The Blue Notebooks, Dustin O’Halloran‘s Lumiere and Jóhann Jóhannsson‘s The Miners’ Hymns. Then the label went dark for three years, and we feared it had been lost. Fortunately, the imprint resurfaced
Various Artists ~ Eleven Into Fifteen
For years, Fatcat imprint 130701 had been releasing some of our all-time favorite albums, including Max Richter‘s The Blue Notebooks, Dustin O’Halloran‘s Lumiere and Jóhann Jóhannsson‘s The Miners’ Hymns. Then the label went dark for three years, and we feared it had been lost. Fortunately, the imprint resurfaced
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
Robert Curgenven ~ Climata
The border between two spaces both separates and conjoins, allowing for distinction as well as interplay. Depending on one’s perspective this can be understood as a contamination or a vital encounter. The latest from Australian composer Robert Curgenven explores sonic
a closer listen 