Tom Recchion ~ oaxaca dawn | bamboo
It took ten years for these recordings to see the light of day, and Elevator Bath has finally done it in a big way, with a lovely picture disc. Of course, one can spring for the digital copy, but with
Tom Recchion ~ oaxaca dawn | bamboo
It took ten years for these recordings to see the light of day, and Elevator Bath has finally done it in a big way, with a lovely picture disc. Of course, one can spring for the digital copy, but with
Tambour ~ Chapitre II
After an extremely active launch in 2015, the Moderna label has been quiet in recent months. Half a year has passed since its last release, so it’s a relief to hear the return of both the label and Tambour. Chapitre
Tambour ~ Chapitre II
After an extremely active launch in 2015, the Moderna label has been quiet in recent months. Half a year has passed since its last release, so it’s a relief to hear the return of both the label and Tambour. Chapitre
Enrico Coniglio ~ Bragos series: Astrùra / Solèra
There are different schools of thought when it comes to the production of “soundscapes.” There is R. Murray Schafer, who coined the term, and his World Soundscape Project, which approaches the soundscape as “acoustic ecology.” Some have criticized his
Enrico Coniglio ~ Bragos series: Astrùra / Solèra
There are different schools of thought when it comes to the production of “soundscapes.” There is R. Murray Schafer, who coined the term, and his World Soundscape Project, which approaches the soundscape as “acoustic ecology.” Some have criticized his
Robin Buyer Sextet ~ Leave
For the supposed party animal of ACL’s genres, post-rock hasn’t exactly been a lively guest so far this year. Mercifully, newcomers Robin Buyer Sextet have arrived bearing the proverbial kegs and decks to rouse us from our all-too-civilised socialising. Fellow
Robin Buyer Sextet ~ Leave
For the supposed party animal of ACL’s genres, post-rock hasn’t exactly been a lively guest so far this year. Mercifully, newcomers Robin Buyer Sextet have arrived bearing the proverbial kegs and decks to rouse us from our all-too-civilised socialising. Fellow
Asuna ~ Tide Ripples
Asuna is never one to keep things simple, as his music can contain up to a hundred parts. From drone-piece 100 Keyboards to the more bombastic live show 100 Toys, Asuna piles on more and more sounds until his pieces
Asuna ~ Tide Ripples
Asuna is never one to keep things simple, as his music can contain up to a hundred parts. From drone-piece 100 Keyboards to the more bombastic live show 100 Toys, Asuna piles on more and more sounds until his pieces
Kuba Kapsa Ensemble ~ Vantdraught 4
Much has changed since Vantdraught 10 Vol. 1. The Kuba Kapsa Ensemble, led by Polish pianist and composer Kuba Kapsa, has grown leaner and more complex, shedding six players as well as the previous album’s rampant repetition. The result is a compact
Kuba Kapsa Ensemble ~ Vantdraught 4
Much has changed since Vantdraught 10 Vol. 1. The Kuba Kapsa Ensemble, led by Polish pianist and composer Kuba Kapsa, has grown leaner and more complex, shedding six players as well as the previous album’s rampant repetition. The result is a compact
Ricardo Donoso ~ Quintessence
Ricardo Donoso has established a sublime symbiotic relationship with Denovali. After the success of Saravá Exu and Machine to Machine, the label rewarded his talent with a compilation of early works and a remix set. Now the artist has returned with
Ricardo Donoso ~ Quintessence
Ricardo Donoso has established a sublime symbiotic relationship with Denovali. After the success of Saravá Exu and Machine to Machine, the label rewarded his talent with a compilation of early works and a remix set. Now the artist has returned with
okamotonoriaki ~ Happy Ending
okamotonoriaki is no longer a solo affair, as the Tokyo-based composer has invited some of his friends (Cuushe, Flica, Polar M and Chihei Hatakeyama) to contribute to his Happy Ending. The album exists in a liminal state between ambient and electronic: bouncy
okamotonoriaki ~ Happy Ending
okamotonoriaki is no longer a solo affair, as the Tokyo-based composer has invited some of his friends (Cuushe, Flica, Polar M and Chihei Hatakeyama) to contribute to his Happy Ending. The album exists in a liminal state between ambient and electronic: bouncy