Posts Tagged: Joseph Sannicandro
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
LCNL 08: Cello Mix
LCNL 08: Cello Mix While waiting for the next artist-curated mix, I decided to make a mix of my own focusing on the sonorities of the cello. I made a digital “crate” of cello-centric tracks and strung them together on
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Sound Propositions 01: Machinefabriek
Joseph Sannicandro interviews Rutger Zuydervelt, aka Machinefabriek, in the first installment of an ongoing series exploring the creative process and a non-fetishization of equipment. “A rather poor instrument,… but how wonderfully they use it.” In this quote, James Joyce is
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
Giuseppe Ielasi ~ Untitled, Bellows ~ Reelin’
Giuseppe Ielasi began producing music in the early ‘90s as a guitar player in the European free improv scene, but has long since been known primarily as a deeply skilled producer of inventive elecroacoustic music. He has also run several
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
C. Spencer Yeh ~ 1975
After releasing dozens of records as Burning Star Core, it seems odd to describe 1975 as C. Spencer Yeh‘s debut. And yet… I can’t quite say why C. Spencer Yeh does anything, yet it’s not hard to see that this isn’t
LCNL 05: Sequenza 21 Mix
LCNL 05: Sequenza 21 When the idea for ACL – a positive community of critical listeners- first emerged we were determined to challenge perceived divisions of genre and form. Instead we set out to promote challenging and interesting sounds wherever
LCNL 05: Sequenza 21 Mix
LCNL 05: Sequenza 21 When the idea for ACL – a positive community of critical listeners- first emerged we were determined to challenge perceived divisions of genre and form. Instead we set out to promote challenging and interesting sounds wherever
Grausam Frühjahr ~ Descent/Ascent
A hand-numbered cassette with hardly any information at all? Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time
Grausam Frühjahr ~ Descent/Ascent
A hand-numbered cassette with hardly any information at all? Doesn’t take a crystal ball to see that this is going to be Noise. Harsh, droning Noise. This Napolitano artist requires fairly patient listeners, as Ascent/Descent works on a long time
Luminance Ratio ~ Like Little Garrisons Besieged
Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year. This debut recording features three members. However, the group is a collaborative collective by nature, and the trio is
Luminance Ratio ~ Like Little Garrisons Besieged
Sometimes a simile for a title feels just right, in this case inspired by Defoe’s A Journal of the Plague Year. This debut recording features three members. However, the group is a collaborative collective by nature, and the trio is
nembrot/A. “ICS” Ferraris ~ il suono dell’ olifante
Yet another instance of collaborating Italian sound experimentalists, il suono dell’olifante draws on noise improvisation and careful post-production techniques to intimidating effect. The trio of Nembrot draws out “insane” guitar noise with “nembrotic percurssion,” combined with the laptop treatments and cheap electronics
nembrot/A. “ICS” Ferraris ~ il suono dell’ olifante
Yet another instance of collaborating Italian sound experimentalists, il suono dell’olifante draws on noise improvisation and careful post-production techniques to intimidating effect. The trio of Nembrot draws out “insane” guitar noise with “nembrotic percurssion,” combined with the laptop treatments and cheap electronics
a closer listen 