Author Archives: gianmarcodelre
Charbel Haber ~ May a soft sun bless your sky while you wait for the inevitable
There is a quiet contradiction at the heart of May a soft sun bless your sky while you wait for the inevitable, the latest work by Charbel Haber. It is an album that breathes in softness while exhaling inevitability—holding beauty
Charbel Haber ~ May a soft sun bless your sky while you wait for the inevitable
There is a quiet contradiction at the heart of May a soft sun bless your sky while you wait for the inevitable, the latest work by Charbel Haber. It is an album that breathes in softness while exhaling inevitability—holding beauty
Taroug ~ Chott
Deeply rooted in place rather than merely referencing it, Chott, the latest work from Taroug, seems to emerge directly from the landscape. Named after the vast salt lake of Chott El Djerid in southern Tunisia, the record unfolds as both
Taroug ~ Chott
Deeply rooted in place rather than merely referencing it, Chott, the latest work from Taroug, seems to emerge directly from the landscape. Named after the vast salt lake of Chott El Djerid in southern Tunisia, the record unfolds as both
Monoconda ~ Shadow Shades
Some artists move forward by subtraction; others by return. On Shadow Shades, Monoconda does both. Stripping away the layered architectures of his recent work, he returns to the guitar—the first instrument he ever played—not as nostalgia, but as a recalibration.
Monoconda ~ Shadow Shades
Some artists move forward by subtraction; others by return. On Shadow Shades, Monoconda does both. Stripping away the layered architectures of his recent work, he returns to the guitar—the first instrument he ever played—not as nostalgia, but as a recalibration.
Canes Of Karabakh ~ S/T
There is a deliberate restraint that feels ethical as much as aesthetic in Canes of Karabakh. The Polish trio of Stanisław Matys (duduk), Olgierd Dokalski (flugelhorn, SFX), and Paweł Bartnik (electronics) approach the Armenian duduk not as repertoire to be
Canes Of Karabakh ~ S/T
There is a deliberate restraint that feels ethical as much as aesthetic in Canes of Karabakh. The Polish trio of Stanisław Matys (duduk), Olgierd Dokalski (flugelhorn, SFX), and Paweł Bartnik (electronics) approach the Armenian duduk not as repertoire to be
Ukrainian Field Notes – LIV
This month we speak to alanmortus in Ivano-Frankivsk about how the war changes the perspective on what is important. Horizon Resonances tells us about how the city of Odesa has shaped him, Pororoka talks about her life being split in
Ukrainian Field Notes – LIV
This month we speak to alanmortus in Ivano-Frankivsk about how the war changes the perspective on what is important. Horizon Resonances tells us about how the city of Odesa has shaped him, Pororoka talks about her life being split in
Yerevan Calling ~ An interview with Kai Khachatryan
Kai Khachatryan is a sound artist and experimental musician based in Yerevan. Active in various punk bands since 2002, he began producing experimental music in 2010. Field recordings form the foundation of his practice, alongside electromagnetic sounds captured using devices
Yerevan Calling ~ An interview with Kai Khachatryan
Kai Khachatryan is a sound artist and experimental musician based in Yerevan. Active in various punk bands since 2002, he began producing experimental music in 2010. Field recordings form the foundation of his practice, alongside electromagnetic sounds captured using devices
VA ~ Land 3 (أرض ٠٣) by Tunefork Studios / Beirut Synth Center
Curated by Tunefork Studios and Beirut Synth Center, the third volume in the Land series raises funds for those displaced by Israeli attacks on Lebanon in March 2026, with proceeds directed to Beit Aam and other grassroots initiatives. If Land
VA ~ Land 3 (أرض ٠٣) by Tunefork Studios / Beirut Synth Center
Curated by Tunefork Studios and Beirut Synth Center, the third volume in the Land series raises funds for those displaced by Israeli attacks on Lebanon in March 2026, with proceeds directed to Beit Aam and other grassroots initiatives. If Land
Radwan Ghazi Moumneh & Frédéric D. Oberland ~ Eternal Life No End | ليلة ظلماء ملعونة، كحياة طالبيها
Some albums foreground process, as if the journey were more important than the destination. Eternal Life No End unfolds as something closer to a ritual—an extended act of listening that feels less composed than summoned. Built from modular synthesis, buzuk,
Radwan Ghazi Moumneh & Frédéric D. Oberland ~ Eternal Life No End | ليلة ظلماء ملعونة، كحياة طالبيها
Some albums foreground process, as if the journey were more important than the destination. Eternal Life No End unfolds as something closer to a ritual—an extended act of listening that feels less composed than summoned. Built from modular synthesis, buzuk,
a closer listen 