Author Archives: gianmarcodelre

Cinna Peyghamy ~ Music For Tombak & Synth

On Music For Tombak & Synth, Paris-based Iranian musician Cinna Peyghamy transforms a technical experiment into something deeply personal. What began as research into contact microphones and live improvisation gradually evolved into a meditation on exile, double identity, and inherited

Cinna Peyghamy ~ Music For Tombak & Synth

On Music For Tombak & Synth, Paris-based Iranian musician Cinna Peyghamy transforms a technical experiment into something deeply personal. What began as research into contact microphones and live improvisation gradually evolved into a meditation on exile, double identity, and inherited

Alessandro Brivio ~ 2:25

Grief comes in multiple shapes and forms. None of them are pleasing to the eye or the ear. On 2:25, Alessandro Brivio confronts loss as a system under stress, short-circuiting in real time. The cover image—a specular photograph of graffiti

Alessandro Brivio ~ 2:25

Grief comes in multiple shapes and forms. None of them are pleasing to the eye or the ear. On 2:25, Alessandro Brivio confronts loss as a system under stress, short-circuiting in real time. The cover image—a specular photograph of graffiti

Firas Shehadeh ~ Depth Map

Firas Shehadeh’s Depth Map transforms noise music into an act of forensic listening. Where 2025’s The Heaviest Shrouds Are The Smallest Ones unfolded like splinters of raw grief and collapse, Depth Map feels colder, more systematic: an attempt to trace

Firas Shehadeh ~ Depth Map

Firas Shehadeh’s Depth Map transforms noise music into an act of forensic listening. Where 2025’s The Heaviest Shrouds Are The Smallest Ones unfolded like splinters of raw grief and collapse, Depth Map feels colder, more systematic: an attempt to trace

Ukrainian Field Notes LV

This episode of Ukrainian Field Notes comes to you from Lviv, where I have been attending the Lviv Media Forum, whose theme this year is Reality Under Attack: Flight, Freeze, or Fight? Alongside the talks, there were also video installations,

Ukrainian Field Notes LV

This episode of Ukrainian Field Notes comes to you from Lviv, where I have been attending the Lviv Media Forum, whose theme this year is Reality Under Attack: Flight, Freeze, or Fight? Alongside the talks, there were also video installations,

Metastasis ~ Dineba

Metastasis move through sound as if traversing an unstable dimension, where compositions emerge as temporary formations within a larger sonic flow. On Dineba—a title translating loosely as “flow” or “current”—the Georgian electroacoustic ensemble construct an environment in constant mutation, shaped

Metastasis ~ Dineba

Metastasis move through sound as if traversing an unstable dimension, where compositions emerge as temporary formations within a larger sonic flow. On Dineba—a title translating loosely as “flow” or “current”—the Georgian electroacoustic ensemble construct an environment in constant mutation, shaped

Réka Csiszér & Radwan Ghazi Moumneh ~ Le Révélateur

Originally conceived as a silent visual poem by Philippe Garrel in 1968, Le Révélateur emerged in the aftermath of the May ’68 student uprisings, carrying their disillusionment in a stark, non-verbal form. Shot in austere black and white, the film

Réka Csiszér & Radwan Ghazi Moumneh ~ Le Révélateur

Originally conceived as a silent visual poem by Philippe Garrel in 1968, Le Révélateur emerged in the aftermath of the May ’68 student uprisings, carrying their disillusionment in a stark, non-verbal form. Shot in austere black and white, the film

Matteo Stella ~ Radeche Fonne

Matteo Stella’s Radeche Fonne resists the pastoral temptation that often shadows music rooted in place. While deeply embedded in the geography and traditions of the Marche region, the album refuses nostalgia, instead exposing the tensions that underlie rural life—its frictions,

Matteo Stella ~ Radeche Fonne

Matteo Stella’s Radeche Fonne resists the pastoral temptation that often shadows music rooted in place. While deeply embedded in the geography and traditions of the Marche region, the album refuses nostalgia, instead exposing the tensions that underlie rural life—its frictions,

Filippo Lilli and Ludovica Manzo ~ Abisso

Tackling seminal works can be either brave or reckless, especially when it comes to something as towering as Quartet for the End of Time. Neither an act of quiet courage nor a calculated risk, Filippo Lilli and Ludovica Manzo’s Abisso

Filippo Lilli and Ludovica Manzo ~ Abisso

Tackling seminal works can be either brave or reckless, especially when it comes to something as towering as Quartet for the End of Time. Neither an act of quiet courage nor a calculated risk, Filippo Lilli and Ludovica Manzo’s Abisso