Passo Uno ~ Retrospective 2005/2010
Passo Uno is a musical project devoted to sonic atmospheres in close relation to the image, static or in motion. Founded in Milan in 2005 as a “music for image” project, the duo of Stefano De Ponti and Alessandro Bider
Passo Uno ~ Retrospective 2005/2010
Passo Uno is a musical project devoted to sonic atmospheres in close relation to the image, static or in motion. Founded in Milan in 2005 as a “music for image” project, the duo of Stefano De Ponti and Alessandro Bider
Emanuele de Raymondi ~ Ultimo Domicilio
The work of Italian composer Emanuele de Raymondi lands in the juncture between drone, electronic and modern composition. Ultimo Domicilio (Last Domicile) is a work that one yearns to dissect, taking the original tracks and laying them side by side to see where
Emanuele de Raymondi ~ Ultimo Domicilio
The work of Italian composer Emanuele de Raymondi lands in the juncture between drone, electronic and modern composition. Ultimo Domicilio (Last Domicile) is a work that one yearns to dissect, taking the original tracks and laying them side by side to see where
News: Bluetech launches NOMADculture web magazine
Evan Bartholomew (Bluetech) and friends launch new magazine dedicated to arts, music, and culture. Head over to NOMADculture and check out reviews of Hammock and Juliana Barwick’s new records, an interview with Ben Tour, and a lot more. As with
News: Bluetech launches NOMADculture web magazine
Evan Bartholomew (Bluetech) and friends launch new magazine dedicated to arts, music, and culture. Head over to NOMADculture and check out reviews of Hammock and Juliana Barwick’s new records, an interview with Ben Tour, and a lot more. As with
Alexeï Kawolski ~ (Re)construction (1,2,3)
On (Re)Construction (1, 2, 3) Montreal- based Alexeï Kawolski brings a crushingly glitch and industrial laden style of heavy to your ear goggles. But be forewarned, as Kawolski is boldly prescribing the largest non-lethal dose allowable with a 3 CD set
Alexeï Kawolski ~ (Re)construction (1,2,3)
On (Re)Construction (1, 2, 3) Montreal- based Alexeï Kawolski brings a crushingly glitch and industrial laden style of heavy to your ear goggles. But be forewarned, as Kawolski is boldly prescribing the largest non-lethal dose allowable with a 3 CD set
Nuclear Whale ~ The Looming Machine
Jonathan Ridley’s “secular apocalypse” comes to life on the cover, bursting with color and menace, so beautiful that one can’t look away. Two witnesses, perhaps from the Book of Revelation, stare placidly at the swirl of disjointed appendages. It’s too
Nuclear Whale ~ The Looming Machine
Jonathan Ridley’s “secular apocalypse” comes to life on the cover, bursting with color and menace, so beautiful that one can’t look away. Two witnesses, perhaps from the Book of Revelation, stare placidly at the swirl of disjointed appendages. It’s too
Phill Niblock ~ Touch Five
A very interesting strain emerges from an interpretation of Phill Niblock‘s works as essays on organization, not only of sound but of people’s relations to it. In this sense, Niblock’s association to minimalism becomes relevant, not so much in its
Phill Niblock ~ Touch Five
A very interesting strain emerges from an interpretation of Phill Niblock‘s works as essays on organization, not only of sound but of people’s relations to it. In this sense, Niblock’s association to minimalism becomes relevant, not so much in its
Rafael Anton Irisarri ~ The Unintentional Sea
The Salton Sea was never meant to exist. It developed by accident in 1905 as waters were diverted from the California River, submerging the town of Salton. In the ensuing decades it became a resort area, until fertilizer runoff and
Rafael Anton Irisarri ~ The Unintentional Sea
The Salton Sea was never meant to exist. It developed by accident in 1905 as waters were diverted from the California River, submerging the town of Salton. In the ensuing decades it became a resort area, until fertilizer runoff and
BJ Nilsen ~ Eye of the Microphone
Does a field recording have to sound like its subject in order to be authentic? BJ Nilsen ponders this question and concludes that “a pure field recording is not the most accurate representation of a place”. As an artist-in-residency in London, he
BJ Nilsen ~ Eye of the Microphone
Does a field recording have to sound like its subject in order to be authentic? BJ Nilsen ponders this question and concludes that “a pure field recording is not the most accurate representation of a place”. As an artist-in-residency in London, he
a closer listen 