Posts Tagged: Richard Allen
Kate NV ~ WOW
Ridiculously happy, relentlessly upbeat, WOW is a sonic sugar rush, a candy-coated confection topped with syrup and sprinkles. Kate NV‘s energy never seems to flag, nor does her creativity ease. Breaking with previous recordings, her voice is diced, chopped and splattered;
Kate NV ~ WOW
Ridiculously happy, relentlessly upbeat, WOW is a sonic sugar rush, a candy-coated confection topped with syrup and sprinkles. Kate NV‘s energy never seems to flag, nor does her creativity ease. Breaking with previous recordings, her voice is diced, chopped and splattered;
Kate Carr ~ false dawn
When is a field recording not a field recording? The dawn chorus arises from silence in a soft drone, followed by the sound of footsteps on gravel. Kate Carr is setting out in the forest, as she has so many times
Kate Carr ~ false dawn
When is a field recording not a field recording? The dawn chorus arises from silence in a soft drone, followed by the sound of footsteps on gravel. Kate Carr is setting out in the forest, as she has so many times
Heinali ~ Kyiv Eternal
Kyiv Eternal is released tomorrow on the one-year anniversary of the Russian invasion of Ukraine. At this writing, over 200,000 people have died, and the war continues to rage … but not in the way that Putin had hoped. The Battle
Heinali ~ Kyiv Eternal
Kyiv Eternal is released tomorrow on the one-year anniversary of the Russian invasion of Ukraine. At this writing, over 200,000 people have died, and the war continues to rage … but not in the way that Putin had hoped. The Battle
Hania Rani ~ On Giacometti
On Giacometti is a winter album of sorts, although an early track is titled “Spring.” The music reflects the season and space in which it was recorded: a winter residency snuggled in the Swiss mountains, where pianist Hania Rani worked on the score
Hania Rani ~ On Giacometti
On Giacometti is a winter album of sorts, although an early track is titled “Spring.” The music reflects the season and space in which it was recorded: a winter residency snuggled in the Swiss mountains, where pianist Hania Rani worked on the score
Zoë Mc Pherson ~ Pitch Blender
I change shape all the time. This key sentence, located in the heart of “Lamella,” is the key to understanding sonic chameleon Zoë Mc Pherson. A lamella is a thin layer or membrane, suggesting fluidity, or the ability to shift
Zoë Mc Pherson ~ Pitch Blender
I change shape all the time. This key sentence, located in the heart of “Lamella,” is the key to understanding sonic chameleon Zoë Mc Pherson. A lamella is a thin layer or membrane, suggesting fluidity, or the ability to shift
Kety Fusco ~ THE HARP, Chapter One
We expect some form of this sentence to appear in every review of Kety Fusco‘s THE HARP, Chapter One: leave your assumptions behind. These may include the opinion that harp music is boring, an association of harps with churches and a nagging thought
Kety Fusco ~ THE HARP, Chapter One
We expect some form of this sentence to appear in every review of Kety Fusco‘s THE HARP, Chapter One: leave your assumptions behind. These may include the opinion that harp music is boring, an association of harps with churches and a nagging thought
Grand River ~ All Above
Tears leak from Aimée Portioli’s eyes as she looks to the sky, surrounded by a cascade of water. Her left hand rests on her right shoulder, as if in supplication. When matched with the album title ~ All Above ~ and
Grand River ~ All Above
Tears leak from Aimée Portioli’s eyes as she looks to the sky, surrounded by a cascade of water. Her left hand rests on her right shoulder, as if in supplication. When matched with the album title ~ All Above ~ and
SØS Gunver Ryberg ~ SPINE
Copenhagen sound designer creates a lattice of patterns and textures on SPINE, prodding angular movements from listeners as they lean into the abstractions. This is the first release on Ryberg’s Arterial label, introduced with an inclusive and encouraging manifesto: “a place
SØS Gunver Ryberg ~ SPINE
Copenhagen sound designer creates a lattice of patterns and textures on SPINE, prodding angular movements from listeners as they lean into the abstractions. This is the first release on Ryberg’s Arterial label, introduced with an inclusive and encouraging manifesto: “a place
a closer listen 